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Lize Bartelli: Skeleton Closet
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The representation of women in art history, especially in the field of painting, was, for a long time, largely restricted to the reproduction of models in artificial, sometimes languid poses, idealized in maternal tenderness or in disguised modesty– in addition to the lack of female artists and the erasure of the rare exceptions.
Title: Lize Bartelli: Skeleton Closet
Description:
The representation of women in art history, especially in the field of painting, was, for a long time, largely restricted to the reproduction of models in artificial, sometimes languid poses, idealized in maternal tenderness or in disguised modesty– in addition to the lack of female artists and the erasure of the rare exceptions.
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Skirt suit, grey cotton with broken glass and skeleton print, by Sarah Whitworth for New Masters, Great Britain, 1983. Jacket, grey cotton with spider and skeleton print, by Sarah Whitworth's label New Masters, Great Britain, 1983; Skirt, grey cotton with
Skirt suit, grey cotton with broken glass and skeleton print, by Sarah Whitworth for New Masters, Great Britain, 1983. Jacket, grey cotton with spider and skeleton print, by Sarah Whitworth's label New Masters, Great Britain, 1983; Skirt, grey cotton with
Skirt suit, grey cotton with broken glass and skeleton print, by Sarah Whitworth for New Masters, Great Britain, 1983. Jacket, grey cotton with spider and skeleton print, by Sarah ...