Javascript must be enabled to continue!
August Wilson's Fences
View through CrossRef
Fencesis the story of a responsible yet otherwise flawed black garbage collector in pre-Civil Rights America who, in August Wilson's hands, rises to the level of an epic hero. Deemed a generational play, it mirrors the classic struggle of status quo, tradition, and age, versus change, innovation, and youth. During its 1987 Broadway run,Fencesgarnered four Tony Awards, the New York Drama Critics Circle Award, and the Pulitzer Prize. It has been produced around the world and is one of the most significant African-American plays of the 20th century. This reference is a comprehensive guide to Wilson's dramatic achievement.
The volume begins with an overview of Wilson's aesthetic and dramatic agenda, along with a discussion of the forces that propelled him beyond his potentially troubled life in Pittsburgh to his current status as one of America's most gifted playwrights. A detailed plot summary ofFencesis provided, followed by an overview of the play's distinguished production history. The play's historical and cultural background and themes are explored, as is Wilson's dramatic art. The reference closes with a look at the critical and scholarly reception ofFencesand a bibliographical essay. Included are rare photos from the play's Broadway premiere and its 1999 premiere in Beijing.
Title: August Wilson's Fences
Description:
Fencesis the story of a responsible yet otherwise flawed black garbage collector in pre-Civil Rights America who, in August Wilson's hands, rises to the level of an epic hero.
Deemed a generational play, it mirrors the classic struggle of status quo, tradition, and age, versus change, innovation, and youth.
During its 1987 Broadway run,Fencesgarnered four Tony Awards, the New York Drama Critics Circle Award, and the Pulitzer Prize.
It has been produced around the world and is one of the most significant African-American plays of the 20th century.
This reference is a comprehensive guide to Wilson's dramatic achievement.
The volume begins with an overview of Wilson's aesthetic and dramatic agenda, along with a discussion of the forces that propelled him beyond his potentially troubled life in Pittsburgh to his current status as one of America's most gifted playwrights.
A detailed plot summary ofFencesis provided, followed by an overview of the play's distinguished production history.
The play's historical and cultural background and themes are explored, as is Wilson's dramatic art.
The reference closes with a look at the critical and scholarly reception ofFencesand a bibliographical essay.
Included are rare photos from the play's Broadway premiere and its 1999 premiere in Beijing.
Related Results
And This Is My Friend Sandy
And This Is My Friend Sandy
This book situates the production of The Boy Friend and the Players’ Theatre in the context of a post-war London and reads The Boy Friend, and Wilson's later work, as exercises in ...
The Gospel of Matthew
The Gospel of Matthew
What was the original purpose of the Gospel of Matthew? For whom was it written? In this magisterial two-volume commentary, Walter Wilson interprets Matthew as a catechetical work ...
The Gospel of Matthew
The Gospel of Matthew
What was the original purpose of the Gospel of Matthew? For whom was it written? In this magisterial two-volume commentary, Walter Wilson interprets Matthew as a catechetical work ...
James Wilson
James Wilson
James Wilson’s life began as an Atlantic World success story, with mounting intellectual, political, and legal triumphs, but ended as a Greek tragedy. Each achievement brought grea...
100 Greatest American Plays
100 Greatest American Plays
Theatre in America has had a rich history—from the first performance of the Lewis Hallam Troupe in September 1752 to the lively shows of modern Broadway. Over the past few centurie...
Richard III
Richard III
John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since ...

