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Two Scholar-Activists on Cultural Consciousness and National Liberation: Cheikh Anta Diop and Frantz Fanon

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This article examines the groundbreaking scholarship and theories that Cheikh Anta Diop (1923-1986) and Frantz Omar Fanon (1925-1961) shared at the First and Second International Congresses of Black Writers and Artists organized by Pan-African journal and publishing house Présence Africaine in Paris, France in 1956 and Rome, Italy in 1959. Drawing on the archives of Diop and Fanon, this article explores the relationship between cultural consciousness and modern African national liberation struggles within the ideas they expressed at the First and Second International Congresses in 1956 and 1959. Through qualitative analysis of Diop’s and Fanon’s writings and life histories, this paper finds that Diop’s scholarship advocates a revolutionary Pan-African ideology for national self-determination in Senegal and continental Africa firmly grounded in African historical consciousness while Fanon’s work advances a radical political ideology that countenances the tenets of Arab colonialism in its contest against French colonialism in Algeria. This examination of Diop’s and Fanon’s pioneering scholarship and praxis problematizes the marginalization of African culture and history within Fanon’s theories of decolonization and nationalism without losing sight of the sociohistorical context. This paper demonstrates that Diop and Fanon are vital models for how scholar-activists can begin to conceptualize the critical role African culture and history play in overcoming Eurasian intrusions into one’s consciousness during the ongoing quest for continental and diasporan African unity and sovereignty.
Title: Two Scholar-Activists on Cultural Consciousness and National Liberation: Cheikh Anta Diop and Frantz Fanon
Description:
This article examines the groundbreaking scholarship and theories that Cheikh Anta Diop (1923-1986) and Frantz Omar Fanon (1925-1961) shared at the First and Second International Congresses of Black Writers and Artists organized by Pan-African journal and publishing house Présence Africaine in Paris, France in 1956 and Rome, Italy in 1959.
Drawing on the archives of Diop and Fanon, this article explores the relationship between cultural consciousness and modern African national liberation struggles within the ideas they expressed at the First and Second International Congresses in 1956 and 1959.
Through qualitative analysis of Diop’s and Fanon’s writings and life histories, this paper finds that Diop’s scholarship advocates a revolutionary Pan-African ideology for national self-determination in Senegal and continental Africa firmly grounded in African historical consciousness while Fanon’s work advances a radical political ideology that countenances the tenets of Arab colonialism in its contest against French colonialism in Algeria.
This examination of Diop’s and Fanon’s pioneering scholarship and praxis problematizes the marginalization of African culture and history within Fanon’s theories of decolonization and nationalism without losing sight of the sociohistorical context.
This paper demonstrates that Diop and Fanon are vital models for how scholar-activists can begin to conceptualize the critical role African culture and history play in overcoming Eurasian intrusions into one’s consciousness during the ongoing quest for continental and diasporan African unity and sovereignty.

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