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Fruit, Vegetables and Flowers
View through Harvard Museums
Department of Paintings Sculpture & Decorative Arts
Harvard Art Museums/Fogg Museum Gift of Nathaniel Stone Simpkins
Related Results
Still Life
Still Life
In 1899, Gauguin's mistress, Pahura, gave birth to a son, who gave the artist a new lease on life. After months of inaction due to poverty and ill health, Gauguin began to paint ag...
Embroidery design for slippers with flowers ca. 1836-1854, by Sarah Bland (1810-1905). Embroidery design on graph paper for slippers featuring flowers. There are three bunches: one on the top left with purple and yellow flowers; one below it with pink flo
Embroidery design for slippers with flowers ca. 1836-1854, by Sarah Bland (1810-1905). Embroidery design on graph paper for slippers featuring flowers. There are three bunches: one on the top left with purple and yellow flowers; one below it with pink flo
Embroidery design for slippers with flowers ca. 1836-1854, by Sarah Bland (1810-1905). Embroidery design on graph paper for slippers featuring flowers. There are three bunches: one...
Jacket with bodice, embroidered with red crewel-work on twill ground; outlines in stem stitch, filling in long and short and coral stitches and French knots. Full sleeves, not full length, plain edge at the wrist. The embroidery consists of individual spr
Jacket with bodice, embroidered with red crewel-work on twill ground; outlines in stem stitch, filling in long and short and coral stitches and French knots. Full sleeves, not full length, plain edge at the wrist. The embroidery consists of individual spr
Jacket with bodice, embroidered with red crewel-work on twill ground; outlines in stem stitch, filling in long and short and coral stitches and French knots. Full sleeves, not full...
Table Plateau
Table Plateau
BORDSPLATY Consisting of a bottom plate (plateau) with a mirror glass, two flower bowls with artificial bouquets, two fruit bowls with glass bowls, six confectionery bowls with gla...
Cope of crimson velvet, figured with large and small flowers in gold thread and coloured silks, and other smaller flowers in green and white, Florence, 1425. Crimson velvet, figured with large and small flowers in gold thread and coloured silks, and other
Cope of crimson velvet, figured with large and small flowers in gold thread and coloured silks, and other smaller flowers in green and white, Florence, 1425. Crimson velvet, figured with large and small flowers in gold thread and coloured silks, and other
Cope of crimson velvet, figured with large and small flowers in gold thread and coloured silks, and other smaller flowers in green and white, Florence, 1425. Crimson velvet, figure...
Woven shawl with a ground of silk and wool, probably made in Paisley, Scotland, 1825-1830. Woven shawl with a ground of white silk and wool. With a pattern of decked-edged stripes alternately red, containing a stem of small blue flowers, and parti-coloure
Woven shawl with a ground of silk and wool, probably made in Paisley, Scotland, 1825-1830. Woven shawl with a ground of white silk and wool. With a pattern of decked-edged stripes alternately red, containing a stem of small blue flowers, and parti-coloure
Woven shawl with a ground of silk and wool, probably made in Paisley, Scotland, 1825-1830. Woven shawl with a ground of white silk and wool. With a pattern of decked-edged stripes ...
Pair of skirt panels of brocaded satin with chenille and coloured silks, Spitalfields, London, ca. 1800. Pair of skirt panels made of white satin brocaded with flowers in red and green chenille and coloured silks. There are small coloured sprigs between e
Pair of skirt panels of brocaded satin with chenille and coloured silks, Spitalfields, London, ca. 1800. Pair of skirt panels made of white satin brocaded with flowers in red and green chenille and coloured silks. There are small coloured sprigs between e
Pair of skirt panels of brocaded satin with chenille and coloured silks, Spitalfields, London, ca. 1800. Pair of skirt panels made of white satin brocaded with flowers in red and g...
Still Life with Fruit
Still Life with Fruit
Willem van Aelst trained with his uncle Evert van Aelst in his native city of Delft and opted to specialise in still-life painting. At the age of eighteen he left Holland and settl...

