Master drawings and watercolors of the nineteenth and twentieth centuries an exhibition organized by the Baltimore Museum of Art and the American Federation of Arts

‘The artwork is no longer the integral part of the exhibition; to curate an exhibition is to curate an experience.’ Bridging the gap between curatorial practices ...

Today’s multi-modal, participatory exhibitions and attractions are bound by a desire to convey information, excite the viewer and create social and narrative experiences. Without d...

While we now recognize that MS is a common neurological disease, as late as the early twentieth century it was considered a relatively rare condition in Europe and the United State...

This volume presents innovative studies of how the emerging disciplines of archaeology and ancient history shaped the modern Middle East, and how they were in turn shaped by compet...

From Elizabeth Keckly’s designs as a freewoman for Abraham Lincoln’s wife to flamboyant clothing showcased by Patrick Kelly in Paris, Black designers have made major contributions ...

Johns Hopkins destroyed his private papers so thoroughly that no credible biography exists of the Baltimore Quaker titan. One of America’s richest men and the largest single shareh...

This chapter traces trends in nineteenth-century thought concerning eschatology and apocalypticism. Contrary to twentieth-century wisdom, eschatology was of central importance in n...

Abstract This book explores the revival of classical drama at ancient venues as a sociopolitical apparatus of the European nation-states in the nineteenth and twenti...