Perceptual, semantic and affective dimensions of experience of abstract and representational paintings

AbstractCreativity research requires assessing the quality of ideas and products. In practice, conducting creativity research often involves asking several human raters to judge pa...

Abstract This article examines the relationship between two phenomena and their respective concepts circulating in contemporary affect theory, i.e., ‘affective resonance’ and ‘affe...

Visual style is instantly recognized as that which sets the qualitative tone of what we look at. For all its intuitive immediacy, verbal articulation of the fundamental visual char...

The article discusses the semantic nature of the Turkic perfect, its semantic zone limitations and possible grammar tools of expressing Perfect in the Old Uighur language. Goals. T...

The purpose of this study was to determine the effect of video presentation on perceptual dimensions in perceiving Asian musics and on preferences for Asian musics. Asian musics co...

AbstractSex differences in the rates of affective disorders have been recognized for decades. Studies of physiologic sex-related differences in animals and humans, however, have ge...

Experience and expression are orthogonal emotion dimensions: we do not always show what we feel, nor do we always feel what we show. However, the experience and expression dimensio...

Abstract In models of visual word recognition that incorporate an interactive activation framework, activation spreads from orthographic and phonological units to se...