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Class, Relationships, and the Art of Historical Imagination: An Oral History Interview with Daniel James
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Abstract
Daniel James, a preeminent historian of the Argentine working class and Peronism, has fundamentally transformed how we understand Latin American labor history. This oral history interview, conducted by four of his former doctoral students, explores the personal, intellectual, and methodological foundations of his pioneering work. James discusses his working-class upbringing in post-war England as the son of Communist Party militants, his formative experiences at Oxford during the late 1960s, and his introduction to Argentina during the politically charged early 1970s. The conversation traces his evolution from the social history approach of Resistance and Integration: Peronism and the Argentine Working Class (1988) through his methodological innovations in oral history with Doña María’s Story (2000) to his recent collaborative work on photography and memory in Paisajes del pasado (2025). James reflects candidly on the influence of E. P. Thompson, Walter Benjamin, and the Latin American Labor History Workshop on his scholarship, while emphasizing the centrality of relationships, empathy, and historical imagination in his approach to working-class history. The interview also addresses his teaching philosophy, his commitment to graduate mentorship, and his view of history as a moral enterprise aimed at rescuing ordinary people “from the enormous condescension of posterity.” James concludes by outlining two prospective research projects on Argentine photography and political exile.
Cambridge University Press (CUP)
Title: Class, Relationships, and the Art of Historical Imagination:
An Oral History Interview with Daniel James
Description:
Abstract
Daniel James, a preeminent historian of the Argentine working class and Peronism, has fundamentally transformed how we understand Latin American labor history.
This oral history interview, conducted by four of his former doctoral students, explores the personal, intellectual, and methodological foundations of his pioneering work.
James discusses his working-class upbringing in post-war England as the son of Communist Party militants, his formative experiences at Oxford during the late 1960s, and his introduction to Argentina during the politically charged early 1970s.
The conversation traces his evolution from the social history approach of Resistance and Integration: Peronism and the Argentine Working Class (1988) through his methodological innovations in oral history with Doña María’s Story (2000) to his recent collaborative work on photography and memory in Paisajes del pasado (2025).
James reflects candidly on the influence of E.
P.
Thompson, Walter Benjamin, and the Latin American Labor History Workshop on his scholarship, while emphasizing the centrality of relationships, empathy, and historical imagination in his approach to working-class history.
The interview also addresses his teaching philosophy, his commitment to graduate mentorship, and his view of history as a moral enterprise aimed at rescuing ordinary people “from the enormous condescension of posterity.
” James concludes by outlining two prospective research projects on Argentine photography and political exile.
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