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Marc Chagall, Then the boy displayed to the dervish his bosom, saying: 'Look at my breasts which be goodlier than the breasts of maidens and my lipdews are sweeter than sugar candy'...: plate 1, from Four Tales from the Arabian Nights (M. 36, see C. bks 1
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Lithograph in colors, on Utopian laid paper, with full margins., 16 22/25 × 13 in
Title: Marc Chagall, Then the boy displayed to the dervish his bosom, saying: 'Look at my breasts which be goodlier than the breasts of maidens and my lipdews are sweeter than sugar candy'...: plate 1, from Four Tales from the Arabian Nights (M. 36, see C. bks 1
Description:
Lithograph in colors, on Utopian laid paper, with full margins.
, 16 22/25 × 13 in.
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Marc Chagall, Then the Boy Displayed to the Dervish his Bosom, Saying: 'Look at my Breasts which be Goodlier than the Breasts of Maidens and my Lipdews are Sweeter than Sugar Candy...', plate 1 from Four Tales from the Arabian Nights (M. 36, C. Bks. 18) (
Marc Chagall, Then the Boy Displayed to the Dervish his Bosom, Saying: 'Look at my Breasts which be Goodlier than the Breasts of Maidens and my Lipdews are Sweeter than Sugar Candy...', plate 1 from Four Tales from the Arabian Nights (M. 36, C. Bks. 18) (
Lithograph in colours, on Utopian laid paper, with full margins., 43.2 × 33 cm...
Poster for the show "Whirling Dervishes" at the Thessaloniki Concert Hall
Poster for the show "Whirling Dervishes" at the Thessaloniki Concert Hall
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Soydan BABAYİĞİT Artist – Deputy Director
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Marc Chagall: Stained Glass
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Bathing Maidens Observed by the Master of the Garden, illustrated folio from a manuscript of the Haft Paykar of Nizami
Bathing Maidens Observed by the Master of the Garden, illustrated folio from a manuscript of the Haft Paykar of Nizami
This small painting has been carefully, if unfortunately, cut from a manuscript page, preserving the pictorial elements that extended beyond the gold ruling. The opposite side of t...
Marc Chagall, Then he spent the night with her embracing and clipping...: plate 3, from Four Tales from the Arabian Nights: nine plates (M. 38, see C. bks 18) (1948)
Marc Chagall, Then he spent the night with her embracing and clipping...: plate 3, from Four Tales from the Arabian Nights: nine plates (M. 38, see C. bks 18) (1948)
Nine lithographs, progressive color plate proofs, in colors, on Utopian laid paper, with full margins, all contained in the original wove paper with lithograph, folded (as issued)....
Marc Chagall, When Abdullah got the net ashore, he saw a man in it and he fled from him, but the man called out to him from within the net...: plate 8, from Four Tales from the Arabian Nights: nine plates (M. 43, see C. bks 18) (1948)
Marc Chagall, When Abdullah got the net ashore, he saw a man in it and he fled from him, but the man called out to him from within the net...: plate 8, from Four Tales from the Arabian Nights: nine plates (M. 43, see C. bks 18) (1948)
Nine lithographs, progressive color plate proofs, on Utopian laid paper, with full margins, all contained in the original wove paper folio with lithograph illustration, folded (as ...
Marc Chagall, Then the old woman mounted on the Ifrit’s back, taking her daughter behind her, and the Ifrit flew off with them...: plate 7, from Four Tales from the Arabian Nights (M. 42, see C. bks 18) (1948)
Marc Chagall, Then the old woman mounted on the Ifrit’s back, taking her daughter behind her, and the Ifrit flew off with them...: plate 7, from Four Tales from the Arabian Nights (M. 42, see C. bks 18) (1948)
Lithograph in colors, on Utopian laid paper, with full margins, contained in the original wove paper folio with lithograph illustrations, folded (as issued)., 43.2 × 43.2 cm...
The Parthenon Frieze. Block E V
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The portrayal of the gods continues on this block, with Hera (29) and Zeus (30) and a small youthful figure (28) identified either as Nike or more likely as Iris, the wingèd messen...