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Commentary
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Sources of the thinking are given, preceded by an investigation of the relation between philosophy and music, an account of the idiosyncratic way Skryabin studied, an interview between Skryabin and a philosopher of the period and a memoir by a student and patron summarizing the thought. The titles of the sections show the sources and influences: Ernest Renan, Greek philosophy, German idealism, Russian philosophy, and Russian symbolism, Conference at Geneva (this was a philosophical conference of which Skryabin studied some of the material), the influence of theosophy, and Indian culture. These influences were combined by Skryabin, not into a system but into a world view which vitally affected his creative work.(114)
Oxford University Press
Title: Commentary
Description:
Sources of the thinking are given, preceded by an investigation of the relation between philosophy and music, an account of the idiosyncratic way Skryabin studied, an interview between Skryabin and a philosopher of the period and a memoir by a student and patron summarizing the thought.
The titles of the sections show the sources and influences: Ernest Renan, Greek philosophy, German idealism, Russian philosophy, and Russian symbolism, Conference at Geneva (this was a philosophical conference of which Skryabin studied some of the material), the influence of theosophy, and Indian culture.
These influences were combined by Skryabin, not into a system but into a world view which vitally affected his creative work.
(114).
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