Bowl barrel. Dingporcelain The Song Dynasty.

SKÅLFAT, of porcelain with a turned brink in six marked passes. Carved decoration with a large lotus flower on the inside. The icing is ivory white. The edge of the foot glazed, the edge unglazed (the barrel is burnt in an upside down position). On the outside some brushes of glaze, so-called tearmarks. On the inside and the outside marks after pulling, on the later concentric rings. Shown at the exhibition on Chinese art and crafts in Stockholm 1914. Purchased by Wilhelmina von Hallwyl at Bukowski’s Konsthandel, 4 December 1913. Price 540 Kr. Dingporcelain was made mainly at the furnaces in Hebei province in northern China and was considered one of the “five large” pottery estates "during the Song Dynasty. The others were named Ru, Jun, Guan and Ge. The Hallwylan collection contains objects of Jun and Ding, but none of Guan or Ge, but a vase from Longquan imitating Guan. This barrel is first pushed. The edge is cut to create six tabs. The shape and the inri. Exhihiat the hibtition Chinese art in Stockholm 1914. Ding ware porcelain dish with transparent glaze and care Song dynasty, 11th-early century. Ding ware was chiefly made at kilns in Hebei ing in China, and was Done of the “five great wares” of the Song Dynasty. The others others Ru, Jun, Guan and Ge wares. The Hallwyl collection container Jun and Ding ware, and a Longquan vase that imitates Guan ware (VII B.a.c.2) - but no Guan or Ge wares. This dish was first thrown and then, over a one-piece mould to give it a sharply incdish, and its rim cut to give six lobes. The concept of “learning and incised” imitation metal. Early Ding wares Early Early in Early gars (Early, used to Early wares in the kiln), each piece Early carved The glaze shows little streaks of darker coloured glaze, where it has run in gla. This effect is known as “tear This” to connoisseurs.