Javascript must be enabled to continue!
Scenes From The Passion Of Christ, In 'The De Brailes Hours' f.1r
View through Europeana Collections
William de Brailes is the only 13th-century
English non-monastic illuminator known to have signed his work. His
surname means 'from Brailes', a town in Warwickshire, about 30
miles north of Oxford. Documentary sources reveal that he lived and
worked in Oxford, with his wife Celena, in a bookmaking community
based around the present site of the chapel of All Souls College.
His distinctive painting style has been recognised in several
manuscripts, of which this is perhaps the most important. It is the
earliest extant English Book of Hours (a book containing prayers to
be said at certain hours of the day), and includes two
self-portraits. The present first leaf of the manuscript (others
are probably missing) starts in the middle of the Passion
narrative, with the Arrest and Flagellation of Christ, the three
denials of Peter, the buffeting of Christ, and Peter's
remorse.
Title: Scenes From The Passion Of Christ, In 'The De Brailes Hours'
f.1r
Description:
William de Brailes is the only 13th-century
English non-monastic illuminator known to have signed his work.
His
surname means 'from Brailes', a town in Warwickshire, about 30
miles north of Oxford.
Documentary sources reveal that he lived and
worked in Oxford, with his wife Celena, in a bookmaking community
based around the present site of the chapel of All Souls College.
His distinctive painting style has been recognised in several
manuscripts, of which this is perhaps the most important.
It is the
earliest extant English Book of Hours (a book containing prayers to
be said at certain hours of the day), and includes two
self-portraits.
The present first leaf of the manuscript (others
are probably missing) starts in the middle of the Passion
narrative, with the Arrest and Flagellation of Christ, the three
denials of Peter, the buffeting of Christ, and Peter's
remorse.
Related Results
Christ with the Cross
Christ with the Cross
Christ holding the cross was a motif that El Greco derived from the narrative of Christ’s Passion, creating an isolated image that seems to have been extremely popular with his cli...
The Risen Christ
The Risen Christ
This panel depicting The Risen Christ was formerly in the collection of the Pusterla della Porta family in Milan, where it is recorded from 1590 until the first quarter of the 20th...
Christ before Caiaphas: soldiers present Christ to seated hight priest who tears his garments, from "The Passion of Christ", after Dürer
Christ before Caiaphas: soldiers present Christ to seated hight priest who tears his garments, from "The Passion of Christ", after Dürer
Engraving; second state of three, The Passion of Christ...
Christ in Limbo; Christ walking down to the arched gateway to Limbo on the right, on the left a group of people including Moses, John the Baptist, Adam and Eve, from "The Passion of Christ", after Dürer
Christ in Limbo; Christ walking down to the arched gateway to Limbo on the right, on the left a group of people including Moses, John the Baptist, Adam and Eve, from "The Passion of Christ", after Dürer
Engraving; second state of three, The Passion of Christ...
Christ is Sentenced by Pilate, from The Passion of Christ, plate 16
Christ is Sentenced by Pilate, from The Passion of Christ, plate 16
Engraving, The Passion of Christ...
The Ascension of Christ, from The Passion of Christ, plate 31
The Ascension of Christ, from The Passion of Christ, plate 31
Engraving, The Passion of Christ...
Christ in the Garden, from The Passion of Christ, plate 7
Christ in the Garden, from The Passion of Christ, plate 7
Engraving, The Passion of Christ...
Christ on the route to Calvary
Christ on the route to Calvary
In the late 1730s Giambattista Tiepolo worked on the decoration of various churches including San Antonio in Padua, for which he painted The Martyrdom of Saint Agatha. For Santa Ma...

