[The Virgin with Pear]: [estampe]/AD 1511 [A. Dürer] [monogr.]

The present panel has been in the Thyssen-Bornemisza collection since 1930, the year when it was first presented to the public in the exhibition at the Neue Pinakothek in Munich. T...

The artist used his altarpiece view of the figure personnel and the composition of other works of art. A round arch supported by richly decorated pillars is divided into three hori...

As an illustration of his 1759 “General Artist History,” Knorr stached a view of three portraits of artists in different frames, including a portrait of Dürer’s teacher Michael Wol...

This anonymous painter worked in the city of Bruges, as we can tell from the depictions of the city that appear in some of the backgrounds of his paintings. His name is derived fro...

Angels hovering overhead or bringing food on dishes are a common feature of the subject of the rest (or repose) on the flight to Egypt, where Joseph took Jesus and his mother to es...

This pair of panels formed part of a large ensemble of which the other subjects are now unknown. Within the Museum’s collection they are among the most iconographically interesting...

This panel of the Virgin and Child is the oldest painting in the Thyssen-Bornemisza collection. Its attribution to the Master of the Magdalen was made by Evelyn Sandberg-Vavalà and...

The artist copied Dürer’s 1509 designed woodcut “Christ on the Cross,” part of his “Kleinen Passion,” which was first laid in 1511, reduced in size and from the opposite side. As e...