Rethinking the Cultural Politics of Punk

Abstract This chapter is a reconsideration of the contribution punk rock made to antinuclear and antiwar expression and campaigning in the 1980s in Britain. Much has been written about the avant-garde, underground, independent, DIY, and grass-roots (counter)cultural politics of punk and post-punk, but the argument here is that such scholarship has often been at the expense of considering the music’s hit and even chart-topping singles. The chapter has three aims: first, to trace the relations between punk and cultures of war and peace; second, to reframe punk’s protest within a mainstream pop music context via analysis of its antiwar hit singles in two key years, 1980 and 1984; third, more broadly, to further our understanding of (musical) cultures of peace. Punk was a pop phenomenon, but so was political punk: the vast majority of the many pop hit songs and headline acts with antiwar and antinuclear messages in the military dread years of the early 1980s were a lot, or a bit, punky. This chapter argues that a wider and at the time significantly higher-profile social resonance of punk has been overlooked in the subsequent critical narratives. In doing so it seeks to revise punk history, and retheorize punk’s social contribution as a remarkable music of truly popular protest.