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Ennius
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Quintus Ennius was an author of Latin poetry and prose who lived and wrote between the second half of the 3rd century and the first half of the 2nd century bce (apparently 239–169 bce). He was born in the trilingual Messapian city of Rudiae, where Latin, Greek, and Oscan were spoken concurrently (as apparently did Ennius himself: cf. Gellius, Attic Nights 17.17). Tradition has Ennius follow Cato the Elder to Rome in 204 bce, after meeting him in Sardinia while serving in the army during the Second Punic War. In Rome, Ennius distinguished himself for his literary and scholarly production in Latin, in which he mastered a cultural and linguistic fusion between the Greek tradition and the fledgling Roman literature. All of Ennius’s works have been lost and only fragments of them have been preserved, all indirectly transmitted within the corpora of other authors’ works; we also have references by other authors to works of which we do not have any fragments at all. His first major achievements seem to have come with the public staging of his tragedies, mostly set in Greece and having original Greek tragedies as models (these were called fabulae cothurnatae). He also wrote praetextae, that is, tragedies of Roman setting and subject, but we have fewer fragments for these than we have for the cothurnatae, and only two titles—Ambracia and Sabinae. Even less is known about his comedies, which do not seem to have been held in high consideration (cf. Volcacius Sedigitus’s canon of comedy), and about whose titles and contents very little information has been preserved. Most of the information we still possess regards Ennius’s last and longest work, the Annals, an eighteen-book epic poem that covered the national history of Rome and its wars from the mythological founding of the city until the contemporary reality of the Punic Wars, with the title Annals (Lat. Annales) possibly alluding to the year-by-year approach of the ancient tradition of Roman annalists. Ennius was the first author to choose hexameter, the Greek meter of epic, to compose a Latin epic poem (the former traditional meter being Saturnian), and for this reason was considered the “father” of Latin epic poetry, thus influencing all following authors (Lucretius, Cicero, Virgil, etc.) by whom he was either praised and taken as a model, or more or less fiercely rejected for his “archaic” language and taste in favor of a more modern style. Apart from plays and epic, Ennius also cultivated many other genres in works that are traditionally referred to as Minor Works.
Title: Ennius
Description:
Quintus Ennius was an author of Latin poetry and prose who lived and wrote between the second half of the 3rd century and the first half of the 2nd century bce (apparently 239–169 bce).
He was born in the trilingual Messapian city of Rudiae, where Latin, Greek, and Oscan were spoken concurrently (as apparently did Ennius himself: cf.
Gellius, Attic Nights 17.
17).
Tradition has Ennius follow Cato the Elder to Rome in 204 bce, after meeting him in Sardinia while serving in the army during the Second Punic War.
In Rome, Ennius distinguished himself for his literary and scholarly production in Latin, in which he mastered a cultural and linguistic fusion between the Greek tradition and the fledgling Roman literature.
All of Ennius’s works have been lost and only fragments of them have been preserved, all indirectly transmitted within the corpora of other authors’ works; we also have references by other authors to works of which we do not have any fragments at all.
His first major achievements seem to have come with the public staging of his tragedies, mostly set in Greece and having original Greek tragedies as models (these were called fabulae cothurnatae).
He also wrote praetextae, that is, tragedies of Roman setting and subject, but we have fewer fragments for these than we have for the cothurnatae, and only two titles—Ambracia and Sabinae.
Even less is known about his comedies, which do not seem to have been held in high consideration (cf.
Volcacius Sedigitus’s canon of comedy), and about whose titles and contents very little information has been preserved.
Most of the information we still possess regards Ennius’s last and longest work, the Annals, an eighteen-book epic poem that covered the national history of Rome and its wars from the mythological founding of the city until the contemporary reality of the Punic Wars, with the title Annals (Lat.
Annales) possibly alluding to the year-by-year approach of the ancient tradition of Roman annalists.
Ennius was the first author to choose hexameter, the Greek meter of epic, to compose a Latin epic poem (the former traditional meter being Saturnian), and for this reason was considered the “father” of Latin epic poetry, thus influencing all following authors (Lucretius, Cicero, Virgil, etc.
) by whom he was either praised and taken as a model, or more or less fiercely rejected for his “archaic” language and taste in favor of a more modern style.
Apart from plays and epic, Ennius also cultivated many other genres in works that are traditionally referred to as Minor Works.
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Ennian Poetology and Literary Affiliation in Lucretius
Ennian Poetology and Literary Affiliation in Lucretius
This chapter adduces Ennius’ own metaphors for literary tradition and affiliation, specifically metempsychosis and the heart, in order to suggest that one of Lucretius’ central aim...
Conclusion
Conclusion
LET ME END where I began: this has not been a book about Ennius’ Annales, but about Lucretius’ reconstruction of Ennius’ Annales. I have expanded our understanding of Lucretius’ re...
Ennius and the ‘Isiaci Coniectores’
Ennius and the ‘Isiaci Coniectores’
At the end of the first book of Cicero's De diuinatione there occurs a tantalising passage containing a specific mention of the ‘Isiac diviners.’ It used to be attributed to Ennius...
Ennius Noster
Ennius Noster
This study argues that Lucretius engages in a comprehensive revision of the entire Ennian value system, literary as well as philosophical, in terms of form as well as content. Lucr...
Lucretius on the Ennian Cosmos
Lucretius on the Ennian Cosmos
This chapter approaches Lucretius’ engagement with Ennius on Lucretius’ own terms and explores how the Annales serves Lucretius as a model (or a foil, rather) for poetry about the ...
Les débuts du trimètre tragique à Rome : I. Le fragment de l'Athamas d'Ennius
Les débuts du trimètre tragique à Rome : I. Le fragment de l'Athamas d'Ennius
The beginning of the iambic trimeter at Rome. I. The fragment of the Athamas by Ennius.
Charisius assigns to an Athamas by Ennius, a tragedy otherwise unknown, a fragment of ...
Introduction
Introduction
ENNIUS’ ANNALES WAS one of the most important hexameter epics written before Vergil’s Aeneid, and perhaps the most influential Latin poem of any period. Writing during the Republic...
Lucan at and against Epic’s Beginnings
Lucan at and against Epic’s Beginnings
This chapter offers close readings of three programmatic passages in which Lucan holds up his polemical engagement with early epic models. The chapter begins with treatment of Caes...


