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[View of the Roman Forum with the remains of the temple of Castore and Polluce and the church of S. Maria Liberatrice]
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Assigned title, Remounted on cardstock, in folder
Library of Archeology and History Of Art
Title: [View of the Roman Forum with the remains of the temple of Castore and Polluce and the church of S. Maria Liberatrice]
Description:
Assigned title, Remounted on cardstock, in folder.
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Church of S. Maria Liberatrice in Campo Vaccino. Long Honorio architecture
Church of S. Maria Liberatrice in Campo Vaccino. Long Honorio architecture
The view illustrates from left to right: the church of San Lorenzo in Miranda, the church of ss. Cosmas and Damian, the Farnese garden and the Church of S. Maria Liberatrice. On th...
Holms Church, Holms parish, Uppland December 2002
Holms Church, Holms parish, Uppland December 2002
The picture has been taken in connection with the cultural historical characterization of Holm’s church, Holm’s parish, Uppland 12 December 2002.
Holm’s church is located in a low...
Holms Church, Holms parish, Uppland December 2002
Holms Church, Holms parish, Uppland December 2002
The picture has been taken in connection with the cultural historical characterization of Holm’s church, Holm’s parish, Uppland 12 December 2002.
Holm’s church is located in a low...
[Pianta of the temple of Castore and Polluce in the Roman Forum]
[Pianta of the temple of Castore and Polluce in the Roman Forum]
Assigned title, Unknown author, The drawing carries notations of red pen probably by Rodolfo Lanciani, Previous inventory 298, remounted on cardstock, in folder...
[Pianta of the temple of Castore and Polluce in the Roman Forum]
[Pianta of the temple of Castore and Polluce in the Roman Forum]
Title attributed; Unknown author; the drawing has red pen notations probably by Rodolfo Lanciani...
Interior of the Temple of Diana at Nimes
Interior of the Temple of Diana at Nimes
Views of classical buildings and ruins based on the drawings that the artist made during his lengthy time in Italy occupied an important place within Hubert Robert’s repertoire of ...