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Stage costume for Dama veneta for Otello
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Theatrical costume for the character of a Venetian lady in Otello by Giuseppe Verdi, play directed by Miklos Jancso in 1980, Maggio Musicale Fiorentino. The costume, inspired by the late sixteenth century, identifies the figure of a Venetian lady. Concept and design of the costume are by Enrico Job who, from a decorative and fabric point of view, distances himself from the 16th century historical period in order to privilege modern fabrics and techniques such as silkscreen printing (printing on fabric).\Details: silkscreen printed silver lurex canvas, satin and metal buttons. Nylon canvas collar with shaped metal beads.\n\nExhibitions: I Barocchi Atto I, Cerratelli Foundation, San Giuliano Terme (Pisa), 2006.\nI Barocchi Atto I, Chiesa di San Domenico, Pisa, 2006-2007. \L'arte della Meraviglia, Filatoio di Caraglio, Caraglio (Cuneo), 2012-2013.\nBibliography: La Fondazione Cerratelli. Costumi per lo spettacolo del Novecento 2008, p. 55. \nL'arte della Meraviglia 2012, pp. 86-87.
Cerratelli Foundation
Title: Stage costume for Dama veneta for Otello
Description:
Theatrical costume for the character of a Venetian lady in Otello by Giuseppe Verdi, play directed by Miklos Jancso in 1980, Maggio Musicale Fiorentino.
The costume, inspired by the late sixteenth century, identifies the figure of a Venetian lady.
Concept and design of the costume are by Enrico Job who, from a decorative and fabric point of view, distances himself from the 16th century historical period in order to privilege modern fabrics and techniques such as silkscreen printing (printing on fabric).
\Details: silkscreen printed silver lurex canvas, satin and metal buttons.
Nylon canvas collar with shaped metal beads.
\n\nExhibitions: I Barocchi Atto I, Cerratelli Foundation, San Giuliano Terme (Pisa), 2006.
\nI Barocchi Atto I, Chiesa di San Domenico, Pisa, 2006-2007.
\L'arte della Meraviglia, Filatoio di Caraglio, Caraglio (Cuneo), 2012-2013.
\nBibliography: La Fondazione Cerratelli.
Costumi per lo spettacolo del Novecento 2008, p.
55.
\nL'arte della Meraviglia 2012, pp.
86-87.
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