Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

processions

View through CrossRef
A procession (πομπή/pompa), at a basic level, is the ritualized escort of someone or something from one place to another by some group before some audience—an ordinary walk transformed by means of performance traditions and customary rules into a more or less spectacular pageant, whose significance derives, in part, from a variable calculus of honoree, cortege, itinerary, audience, and performance. The honoree(s), triumphant generals, the deceased, images of the gods, sacrificial animals, etc., were accompanied by a processional cortege, typically a specific social group (like the worshippers of Isis in a particular city) or a collection of groups imagined as a civic cross-section. The procession then traversed an itinerary, creating a symbolically charged pathway that transformed urban space into significant place. Processions may be produced with varying degrees of theatricality, while the same procession could vary from one performance to the next. Despite such variation, a shared set of production techniques and values, a kind of processional koine, spanned the Mediterranean. Processions were thus constrained by custom and open to innovation—and audiences could be attentive to both. In the end, ritualized walking (one way of understanding a procession) impacted both the urban imaginary, creating community, and urban practices, marking spatial significance.
Title: processions
Description:
A procession (πομπή/pompa), at a basic level, is the ritualized escort of someone or something from one place to another by some group before some audience—an ordinary walk transformed by means of performance traditions and customary rules into a more or less spectacular pageant, whose significance derives, in part, from a variable calculus of honoree, cortege, itinerary, audience, and performance.
The honoree(s), triumphant generals, the deceased, images of the gods, sacrificial animals, etc.
, were accompanied by a processional cortege, typically a specific social group (like the worshippers of Isis in a particular city) or a collection of groups imagined as a civic cross-section.
The procession then traversed an itinerary, creating a symbolically charged pathway that transformed urban space into significant place.
Processions may be produced with varying degrees of theatricality, while the same procession could vary from one performance to the next.
Despite such variation, a shared set of production techniques and values, a kind of processional koine, spanned the Mediterranean.
Processions were thus constrained by custom and open to innovation—and audiences could be attentive to both.
In the end, ritualized walking (one way of understanding a procession) impacted both the urban imaginary, creating community, and urban practices, marking spatial significance.

Related Results

Rites of Resistance: Urban Liturgy and the Crowd in the Patarine Revolt of Milan, c.1057–75
Rites of Resistance: Urban Liturgy and the Crowd in the Patarine Revolt of Milan, c.1057–75
Abstract This essay uses an unexploited liturgical source, a twelfth-century order book by the Milanese cleric Beroldo, to illuminate how processions shaped the prac...
Movement Characteristics of Processions
Movement Characteristics of Processions
Processions are a scientifically not much investigated traffic system. Recent studies found that the first participant in the Cologne Rose Monday parade has a remarkable higher tra...
Processions, Power, and Community Identity: East and West
Processions, Power, and Community Identity: East and West
Abstract This comparative chapter looks at the different ways in which processions (whether liturgical, triumphal, or otherwise) strengthen the social cohesion among...
The Return of Hephaistos, Dionysiac Processional Ritual and the Creation of a Visual Narrative
The Return of Hephaistos, Dionysiac Processional Ritual and the Creation of a Visual Narrative
AbstractThe return of Hephaistos to Olympos, as a myth, concerns the establishment of a balance of power among the Olympian gods. Many visual representations of the myth in Archaic...
Processions et espace public à Madrid : enjeux de pouvoir (1561-1700)
Processions et espace public à Madrid : enjeux de pouvoir (1561-1700)
L’établissement de la Cour à Madrid en 1561 et l’obtention de son nouveau statut de capitale des Espagnes transforment la configuration du système politique, économique et social s...
Processions: Studies of Bronze Age Ritual and Ceremony presented to Robert B. Koehl
Processions: Studies of Bronze Age Ritual and Ceremony presented to Robert B. Koehl
Robert Koehl has long considered processions to have played an integral role in Aegean Bronze Age societies. Therefore, when assembling a volume to honor his retirement from Hunter...
Ambrosian processions to the baptisteries
Ambrosian processions to the baptisteries
Idiosyncratic to the Milanese liturgy were the processions after Matins and Vespers to the two ancient baptisteries of St John the Baptist and St Stephen. These processions, held t...
The Trinitarian Processions
The Trinitarian Processions
William Hasker and I have a friendly disagreement over the doctrine of the Trinity. We both reject classical theistic attributes like divine timelessness and divine simplicity. Ins...

Back to Top