Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Sherds of incised necked jar.

image-zoom
Title: Sherds of incised necked jar.
Description:
Sherds of incised necked jar from the bottom of the deposit pit.

Related Results

Covered Faceted Jar with Abstract Decor
Covered Faceted Jar with Abstract Decor
Resting on a circular footring, this jar's lowest portion resembles a bowl with rapidly expanding sides. The vessel's midsection boasts thirteen vertical facets, each with arched t...
Long-necked jar with dished mouth
Long-necked jar with dished mouth
Tall, long-necked jar with dish-shaped mouth, slender cylindrical neck, ovoid body, and sides tapering inward to a flat circular base; with two raised bands encircling the neck and...
Long-necked jar (hu)
Long-necked jar (hu)
Jar with slightly flared mouth, wide cylindrical neck, sloping shoulders, and globularly body raised on a circular pedestal foot; two pushou-mask supports positioned bilaterally on...
vase: "Jar with Ears"
vase: "Jar with Ears"
A twentieth century brown salt-glazed stoneware vase "Jar with ears" made and fired by Denise K. Wren at The Oxshott Pottery in 1966-1967. Marked on base. See full description., A ...
Anthropomorphic female figurine (modern forgery?)
Anthropomorphic female figurine (modern forgery?)
A nude female figure stands on a low, square base. Incised chevron-shaped marks across the top front of the head indicate hair or a headdress; the top of the head is concave. The e...
Griffin Protome from a Cauldron
Griffin Protome from a Cauldron
Inspired by Near Eastern vessels and monster imagery, Greek metal smiths of the seventh century BC produced numerous cauldrons of hammered metal that were adorned with the heads an...
Tirthankara Suparsvanatha in Kayotsarga, or Standing Meditation, Posture and Protected by a Five-Headed Naga
Tirthankara Suparsvanatha in Kayotsarga, or Standing Meditation, Posture and Protected by a Five-Headed Naga
Formerly thought to represent Parsvanatha, Jainism’s twenty-third Tirthankara, this sculpture has now been identified as Suparsvanatha, Jainism’s seventh Tirthankara. According to ...

Back to Top