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Yakub Kolas and Kazakh literature

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The article examines the connections between the classic of Belarusian literature Yakub Kolas and some Kazakh writers. These connections are traced with the help of the collection materials of the State Literary and Memorial Museum of Yakub Kolas, and the creative activity and life paths of Belarusian and Kazakh writers are also analyzed. The acquaintance of Yakub Kolas with the classics of Kazakh literature Sabit Mukanov and Mukhtar Auezov is described in detail, and their creative paths and significance for their peoples are compared. Attention is especially focused on the similarity of social and political activities and literary creativity (military poems, autobiographical novels) by Sabit Mukanov and Yakub Kolas. Possible ways of developing cooperation between museums established in honor of Kazakh writers and the literary museum of the classic of Belarusian literature are noted.The connection with Kazakhstan of the national poet of Belarus during the Great Patriotic War is also not overlooked, as are the translations of the works of Yakub Kolas into the Kazakh language. The material also contains an attempt to analyze the degree of popularity of the Belarusian classic Yakub Kolas among the Kazakh creative intelligentsia. It can be assumed that the congratulatory address and personal gifts from Kazakh writers are evidence of the recognition, respect and certain fame of Yakub Kolas in the spaces of the Kazakh steppe.
Institute of Literature and Art named for M. Auezov
Title: Yakub Kolas and Kazakh literature
Description:
The article examines the connections between the classic of Belarusian literature Yakub Kolas and some Kazakh writers.
These connections are traced with the help of the collection materials of the State Literary and Memorial Museum of Yakub Kolas, and the creative activity and life paths of Belarusian and Kazakh writers are also analyzed.
The acquaintance of Yakub Kolas with the classics of Kazakh literature Sabit Mukanov and Mukhtar Auezov is described in detail, and their creative paths and significance for their peoples are compared.
Attention is especially focused on the similarity of social and political activities and literary creativity (military poems, autobiographical novels) by Sabit Mukanov and Yakub Kolas.
Possible ways of developing cooperation between museums established in honor of Kazakh writers and the literary museum of the classic of Belarusian literature are noted.
The connection with Kazakhstan of the national poet of Belarus during the Great Patriotic War is also not overlooked, as are the translations of the works of Yakub Kolas into the Kazakh language.
The material also contains an attempt to analyze the degree of popularity of the Belarusian classic Yakub Kolas among the Kazakh creative intelligentsia.
It can be assumed that the congratulatory address and personal gifts from Kazakh writers are evidence of the recognition, respect and certain fame of Yakub Kolas in the spaces of the Kazakh steppe.

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