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Conceptual Artist, Cognitive Film: Miklós Erdély at the Balázs Béla Studio
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The Hungarian Balázs Béla Studio (BBS), established in 1959 to create
opportunities for young filmmakers, was unique in former Eastern Europe
in the way it gave nonprofessional filmmakers access to the medium from
the late 1960s to the 1980s. Its history complicates our understanding of the
relationship between official and unofficial culture in the Eastern Bloc as
an officially supported studio that gave unofficial artists opportunities to co-opt state resources to produce innovative and subversive work. This
chapter gives an overview of how nonprofessional filmmakers, particularly
visual artists, came to create important work that applied the insights and
methods of conceptual art to film—with a focus on the work and theories
of Miklós Erdély as a particularly paradigmatic example.
Amsterdam University Press
Title: Conceptual Artist, Cognitive Film:
Miklós Erdély at the Balázs Béla
Studio
Description:
The Hungarian Balázs Béla Studio (BBS), established in 1959 to create
opportunities for young filmmakers, was unique in former Eastern Europe
in the way it gave nonprofessional filmmakers access to the medium from
the late 1960s to the 1980s.
Its history complicates our understanding of the
relationship between official and unofficial culture in the Eastern Bloc as
an officially supported studio that gave unofficial artists opportunities to co-opt state resources to produce innovative and subversive work.
This
chapter gives an overview of how nonprofessional filmmakers, particularly
visual artists, came to create important work that applied the insights and
methods of conceptual art to film—with a focus on the work and theories
of Miklós Erdély as a particularly paradigmatic example.
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