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Musical, porno czy porno-musical. Rzecz o "9 songs" Michaela Winterbottoma
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The paper focuses on a convergence of the genres in M. Winterbottom’s “9 songs”. The author describes the conventions of musical and porn to show its functionality in the British director’s movie. Simultaneously author presents the depth analysis of a relation between music and images in “9 songs”. For this purpose the author uses the L. Williams and A.G. Piotrowska theories. The final conclusion leads to an observation that the convergence of the genres in Winterbottom’s film lets show the way we perceive relationships (G. Deleuze) and its transience.
Title: Musical, porno czy porno-musical. Rzecz o "9 songs" Michaela Winterbottoma
Description:
The paper focuses on a convergence of the genres in M.
Winterbottom’s “9 songs”.
The author describes the conventions of musical and porn to show its functionality in the British director’s movie.
Simultaneously author presents the depth analysis of a relation between music and images in “9 songs”.
For this purpose the author uses the L.
Williams and A.
G.
Piotrowska theories.
The final conclusion leads to an observation that the convergence of the genres in Winterbottom’s film lets show the way we perceive relationships (G.
Deleuze) and its transience.
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