Search engine for discovering works of Art, research articles, and books related to Art and Culture
Javascript must be enabled to continue!
Χωρίς τίτλο
View through Europeana Collections
In the early 1960s, after his studies at the Athens School of Fine Arts (ASFA), Alekos Fassianos moved to Paris with a scholarship from the French government to study lithography at the School of Fine Arts in Paris. The reproduction of images in multiple copies attracted him to lithography and through his studies, he gained a solid technical foundation and control over the process, from the quality of the paper and colours to the final result.
The composition titled "Untitled," characterised by its chromatic simplicity and stylized figures with round faces reminiscent of children's drawings, is characterized by the simplicity of colour with the inclusions of white areas that form the drawing, combined with the expressionistic elements of the composition.
Metropolitan Organisation of Museums of Visual Arts of Thessaloniki – MOMus
Title: Χωρίς τίτλο
Description:
In the early 1960s, after his studies at the Athens School of Fine Arts (ASFA), Alekos Fassianos moved to Paris with a scholarship from the French government to study lithography at the School of Fine Arts in Paris.
The reproduction of images in multiple copies attracted him to lithography and through his studies, he gained a solid technical foundation and control over the process, from the quality of the paper and colours to the final result.
The composition titled "Untitled," characterised by its chromatic simplicity and stylized figures with round faces reminiscent of children's drawings, is characterized by the simplicity of colour with the inclusions of white areas that form the drawing, combined with the expressionistic elements of the composition.
Related Results
Χωρίς τίτλο
Χωρίς τίτλο
Alkis Pierrakos' composition "Untitled" moves in the mood of abstract expressionism. The emphasis on the presence and function of the line, as well as on the large monochromatic su...
Χωρίς τίτλο
Χωρίς τίτλο
In the works of the period 2010-2012 Nikos Triantafyllou creates "scanographies": he scans in high resolution and prints on archival paper compositions with flowers, clothes, books...
Χωρίς τίτλο
Χωρίς τίτλο
Untitled. Approximately 1916 - 1917. Gouache on paper. 24.5 x 15.9. Dated by Aleksandra Shatskikh. This work possesses outstanding decorative merits. Operating with only three colo...
Χωρίς τίτλο
Χωρίς τίτλο
In the mid-1910s, as Kazimir Malevich was formulating his theory of Suprematism, which advocated for the absolute separation of the object from content and emphasized geometric sha...
Χωρίς Τίτλο
Χωρίς Τίτλο
In the late 1950s Achilleas Aperghis moved away from figurative sculpture and experimented with abstraction, presenting the first examples of his personal abstract language at the ...
Χωρίς τίτλο
Χωρίς τίτλο
In the late 1950s Achilleas Aperghis moved away from figurative sculpture and experimented with abstraction, presenting the first examples of his personal abstract language at the ...