Javascript must be enabled to continue!
The Rippling of Dalit Consciousness in Contemporary Odiā Poetry
View through CrossRef
Dalit literature has been influential in the rising awareness for protest or creating literature of social consciousness. The broad domain of Dalit writings includes the depravation and trauma of certain category of people for some socio-cultural, traditional biases. Maybe one of the tenets of it could be the so-called social stratification or formation of social class. Thus, like writings in many languages in India, in Odia, lots of writing account for the evidences and experiences associated with Dalit consciousness. It also envisages feminine perspectives giving the account of the autobiographies and plights and traumatic evidences of Dalit authors underlining the issues of caste, class, and gender in the backdrop of social exclusion. Dalit Literature in Odia has a rich history that can be traced back to the fifteenth century. In Odia literary creations such as Bouddhagāna, and Dohā, Charyāgeetikā, the anecdotes of social discrimination and casteism are noticed. There is potentiality in contemporary Odia poetry in reflecting on various themes of Dalit consciousness. As it is evident, it starts with saint poet Bhimbhoi who is said to be the first Dalit poet of Odishā in the mid-19th century. Along with glorification of humanitarian attributes, he has outlined the plights of the depraved community. The motifs of Ekalavya, Sanatan, Kalia, Ghinua, Jara Shabara; musical instruments such as baja; the untouchables; Sriya Chandaluni in Laxmi Purana; fingertip print are common in reflecting Dalit issues variously. In this context, this paper focuses on the critical dimensions of Dalit poetry in Odia by including some of the well-known authors such as Gopinath Bag, P.K. Mishra, Nilamani Parida, Ashutosh Parida, Jayadrath Suna, Basudev Sunani, Pitambar Tarai, Akhil Nayak, and Hrushikesh Mallik. Such poets have applied the skills varieties of versification to focus comprehensively on the sensitivity of the traumatic issues of oppression; racial discrimination; socio-cultural taboos; loss of indigenous culture; evil effects of urbanization and politics; existential crisis; victimization of the poor and innocents; loss of ecological harmony; nostalgia and effects of displacement.
Title: The Rippling of Dalit Consciousness in Contemporary Odiā Poetry
Description:
Dalit literature has been influential in the rising awareness for protest or creating literature of social consciousness.
The broad domain of Dalit writings includes the depravation and trauma of certain category of people for some socio-cultural, traditional biases.
Maybe one of the tenets of it could be the so-called social stratification or formation of social class.
Thus, like writings in many languages in India, in Odia, lots of writing account for the evidences and experiences associated with Dalit consciousness.
It also envisages feminine perspectives giving the account of the autobiographies and plights and traumatic evidences of Dalit authors underlining the issues of caste, class, and gender in the backdrop of social exclusion.
Dalit Literature in Odia has a rich history that can be traced back to the fifteenth century.
In Odia literary creations such as Bouddhagāna, and Dohā, Charyāgeetikā, the anecdotes of social discrimination and casteism are noticed.
There is potentiality in contemporary Odia poetry in reflecting on various themes of Dalit consciousness.
As it is evident, it starts with saint poet Bhimbhoi who is said to be the first Dalit poet of Odishā in the mid-19th century.
Along with glorification of humanitarian attributes, he has outlined the plights of the depraved community.
The motifs of Ekalavya, Sanatan, Kalia, Ghinua, Jara Shabara; musical instruments such as baja; the untouchables; Sriya Chandaluni in Laxmi Purana; fingertip print are common in reflecting Dalit issues variously.
In this context, this paper focuses on the critical dimensions of Dalit poetry in Odia by including some of the well-known authors such as Gopinath Bag, P.
K.
Mishra, Nilamani Parida, Ashutosh Parida, Jayadrath Suna, Basudev Sunani, Pitambar Tarai, Akhil Nayak, and Hrushikesh Mallik.
Such poets have applied the skills varieties of versification to focus comprehensively on the sensitivity of the traumatic issues of oppression; racial discrimination; socio-cultural taboos; loss of indigenous culture; evil effects of urbanization and politics; existential crisis; victimization of the poor and innocents; loss of ecological harmony; nostalgia and effects of displacement.
Related Results
Tekstualni subjekt u poeziji Marije Stepanove od 2001. do 2017. godine
Tekstualni subjekt u poeziji Marije Stepanove od 2001. do 2017. godine
Maria Stepanova (b. 1972) is a contemporary Russian poet who has emerged in recent decades as one of the most original and complex voices on the poetically highly heterogeneous and...
Dalit Aesthetics and Dalit Consciousness in Dalit Literature
Dalit Aesthetics and Dalit Consciousness in Dalit Literature
Abstract
It is very difficult for the writers of upper castes or non-Dalits to express the real life incidences of the marginalized classes that are full of poverty, pain, helples...
Uncomfortable and Devious Paths in Dalit Theology and Ideology
Uncomfortable and Devious Paths in Dalit Theology and Ideology
This paper explores the trajectory of Dalit Theology and Ideology, unraveling both uncomfortable facets and emerging trends within this academic and socio-political discourse. The ...
Early Dalit Literature and Culture in Late Nineteenth- and Early Twentieth-Century Western India
Early Dalit Literature and Culture in Late Nineteenth- and Early Twentieth-Century Western India
The formation of the Dalit Panthers and the flourishing of Dalit literature in the 1970s saw the advent of a new connotation for the Marathi word ‘Dalit’. Chosen by the Mahar commu...
Dalit Feminism and the Intersection of Class, Caste and Gender in The Prisons We Broke by Baby Kamble
Dalit Feminism and the Intersection of Class, Caste and Gender in The Prisons We Broke by Baby Kamble
Dalit feminism emerged as a response to mainstream Indian feminism, which tended to downplay caste related issues. Dalit feminism studies not only the patriarchal oppression of Dal...
A COMPARATIVE STUDY OF DALIT CONSCIOUSNESS IN VIBHAVARI SHIRURKAR’S NOVEL ‘THE VICTIM’ AND LAXMAN GAIKWAD’S AUTOBIOGRAPHY ‘THE BRANDED’
A COMPARATIVE STUDY OF DALIT CONSCIOUSNESS IN VIBHAVARI SHIRURKAR’S NOVEL ‘THE VICTIM’ AND LAXMAN GAIKWAD’S AUTOBIOGRAPHY ‘THE BRANDED’
Dalit literature is a literature by Dalit writer or any other writer with Dalit consciousness. Most of the Dalit writers and critics are of the opinion that Dalit consciousness is ...
THE VIOLENCE OF CASTE AND SEXUALITY: P. SIVAKAMI
THE VIOLENCE OF CASTE AND SEXUALITY: P. SIVAKAMI
The Tamil writer P. Sivakami’s sequential novels The Grip of Change (Pazhaiyana Kalithalum, 1989) and Gowri: Author’s Notes (Gowri: Aasiriyar Kurippu, 1999) were written in the wak...
Review Article: Dalit Literature and Criticism by Raj Kumar
Review Article: Dalit Literature and Criticism by Raj Kumar
The term ‘Dalit’ refers to a particular group or community in India which have been ostracized, exploited and humiliated due caste structure and social order ardently followed in I...

