Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Deixis and Pragmatics

View through CrossRef
Deictic expressions, like English ‘this, that, here, and there’ occur in all known human languages. They are typically used to individuate objects in the immediate context in which they are uttered, by pointing at them so as to direct attention to them. The object, or demonstratum is singled out as a focus, and a successful act of deictic reference is one that results in the Speaker (Spr) and Addressee (Adr) attending to the same referential object. Thus, (1) A:Oh, there’s that guy again (pointing)B:Oh yeah, now I see him (fixing gaze on the guy) (2) A:I’ll have that one over there (pointing to a dessert on a tray)B:This? (touching pastry with tongs)A:yeah, that looks greatB:Here ya’ go (handing pastry to customer) In an exchange like (1), A’s utterance spotlights the individual guy, directing B’s attention to him, and B’s response (both verbal and ocular) displays that he has recognized him. In (2) A’s utterance individuates one pastry among several, B’s response makes sure he’s attending to the right one, A reconfirms and B completes by presenting the pastry to him. If we compare the two examples, it is clear that the underscored deictics can pick out or present individuals without describing them. In a similar way, “I, you, he/she, we, now, (back) then,” and their analogues are all used to pick out individuals (persons, objects, or time frames), apparently without describing them. As a corollary of this semantic paucity, individual deictics vary extremely widely in the kinds of object they may properly denote: ‘here’ can denote anything from the tip of your nose to planet Earth, and ‘this’ can denote anything from a pastry to an upcoming day (this Tuesday). Under the same circumstance, ‘this’ and ‘that’ can refer appropriately to the same object, depending upon who is speaking, as in (2). How can forms that are so abstract and variable over contexts be so specific and rigid in a given context? On what parameters do deictics and deictic systems in human languages vary, and how do they relate to grammar and semantics more generally?
Title: Deixis and Pragmatics
Description:
Deictic expressions, like English ‘this, that, here, and there’ occur in all known human languages.
They are typically used to individuate objects in the immediate context in which they are uttered, by pointing at them so as to direct attention to them.
The object, or demonstratum is singled out as a focus, and a successful act of deictic reference is one that results in the Speaker (Spr) and Addressee (Adr) attending to the same referential object.
Thus, (1) A:Oh, there’s that guy again (pointing)B:Oh yeah, now I see him (fixing gaze on the guy) (2) A:I’ll have that one over there (pointing to a dessert on a tray)B:This? (touching pastry with tongs)A:yeah, that looks greatB:Here ya’ go (handing pastry to customer) In an exchange like (1), A’s utterance spotlights the individual guy, directing B’s attention to him, and B’s response (both verbal and ocular) displays that he has recognized him.
In (2) A’s utterance individuates one pastry among several, B’s response makes sure he’s attending to the right one, A reconfirms and B completes by presenting the pastry to him.
If we compare the two examples, it is clear that the underscored deictics can pick out or present individuals without describing them.
In a similar way, “I, you, he/she, we, now, (back) then,” and their analogues are all used to pick out individuals (persons, objects, or time frames), apparently without describing them.
As a corollary of this semantic paucity, individual deictics vary extremely widely in the kinds of object they may properly denote: ‘here’ can denote anything from the tip of your nose to planet Earth, and ‘this’ can denote anything from a pastry to an upcoming day (this Tuesday).
Under the same circumstance, ‘this’ and ‘that’ can refer appropriately to the same object, depending upon who is speaking, as in (2).
How can forms that are so abstract and variable over contexts be so specific and rigid in a given context? On what parameters do deictics and deictic systems in human languages vary, and how do they relate to grammar and semantics more generally?.

Related Results

DEIXIS IN JOHN GREEN’S NOVEL ENTITLED LOOKING FOR ALASKA
DEIXIS IN JOHN GREEN’S NOVEL ENTITLED LOOKING FOR ALASKA
This thesis studies the use of deixis that occurred in John Green’s novel entitiled Looking for Alaska. The objectives of this research are classifying the types of deixis found in...
DEIXIS USED IN THE MOVIE “TOY STORY: LAMP LIFE” BY DISNEY
DEIXIS USED IN THE MOVIE “TOY STORY: LAMP LIFE” BY DISNEY
This research is a deixis analysis which is one of the sciences of semantics. This study aims to classify deixis, to find the dominant deixis in movie, and to discover is there any...
DEIXIS IN MOANA MOVIE
DEIXIS IN MOANA MOVIE
This study aims to analyze the types of Deixis in the Moana movie by using Cruse's (2006) theory. The researcher chose a dialogue between Moana and Maui. Therefore, this research w...
Deixis and References in The Alice in Wonderland Movie
Deixis and References in The Alice in Wonderland Movie
This study, entitled “Deixis and References in the Alice in Wonderland Movie,” aims to identify various types of deixis and analyze the reference of the meaning of each type of dei...
Person Deixis Used By James Corden in The Late Late Show
Person Deixis Used By James Corden in The Late Late Show
This study focuses on the person deixis used by James Corden in his utterances on the talk show The Late Late Show. The theory used in classifying the types of deixis and the categ...
Analisis Deiksis Dalam Novel Origami Hati Karya Boy Candra Dan Implikasinya Terhadap Pembelajaran Teks Cerita Pendek di SMP
Analisis Deiksis Dalam Novel Origami Hati Karya Boy Candra Dan Implikasinya Terhadap Pembelajaran Teks Cerita Pendek di SMP
The aims of this study were (1) to describe the form of persona deixis in Boy Candra's novel Origami Hati, (2) to describe the form of place deixis in Boy Candra's Origami Hati nov...
Analysis of the Deixis in Spider-Man: No Way Home Movie
Analysis of the Deixis in Spider-Man: No Way Home Movie
This study aims to analyze deixis applied in Spider-Man: No Way Home movie and its reference by using the theory of deixis by Levinson (1983) and theory of role of context by Dijk....

Back to Top