Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Girolamo Sirtori (ca 1589–ca 1660) and His Telescopes: Practice without Theory

View through CrossRef
Abstract In 1618 Girolamo Sirtori published his book, Telescopivm: Siue Ars Perficiendi Novvm Illvd Galilaei Visorivm Instrumentum ad Sydera. The Telescopium is a workshop manual, one of the most detailed optical handbooks published at that time. Sirtori constructed several telescopes but acknowledged that they performed poorly. He consulted authors in the field of optics as sources of optical knowledge but maintained a critical stance since he realized that none of the optical authors had contributed anything of substance to the body of optical knowledge. The Telescopium exposes the nature of the tension between theory and practice: how did it happen that authors who wrote on optics failed to construct advanced telescopes, while practitioners who successfully constructed telescopes good for terrestrial and naval usage, were unable to improve the performance of these devices? The construction of a high-quality telescope requires theories for determining the interplay among material and optical features and methods for controlling these relations. Such methods are based on optical theories which are categorically different from the “hands on” skills applied in the spectacle craft industry. We exhibit the properties of spectacle and telescope lenses which Sirtori used and discuss the optical setups of his telescopes. We ask: what is an optical theory? Did Sirtori have a theory to explain how telescopes function? We argue that Sirtori’s Telescopium is grounded in empirically derived rules of thumb from the spectacle-making craft and did not develop into a coherent instrumental theory capable of advancing telescope construction.
Title: Girolamo Sirtori (ca 1589–ca 1660) and His Telescopes: Practice without Theory
Description:
Abstract In 1618 Girolamo Sirtori published his book, Telescopivm: Siue Ars Perficiendi Novvm Illvd Galilaei Visorivm Instrumentum ad Sydera.
The Telescopium is a workshop manual, one of the most detailed optical handbooks published at that time.
Sirtori constructed several telescopes but acknowledged that they performed poorly.
He consulted authors in the field of optics as sources of optical knowledge but maintained a critical stance since he realized that none of the optical authors had contributed anything of substance to the body of optical knowledge.
The Telescopium exposes the nature of the tension between theory and practice: how did it happen that authors who wrote on optics failed to construct advanced telescopes, while practitioners who successfully constructed telescopes good for terrestrial and naval usage, were unable to improve the performance of these devices? The construction of a high-quality telescope requires theories for determining the interplay among material and optical features and methods for controlling these relations.
Such methods are based on optical theories which are categorically different from the “hands on” skills applied in the spectacle craft industry.
We exhibit the properties of spectacle and telescope lenses which Sirtori used and discuss the optical setups of his telescopes.
We ask: what is an optical theory? Did Sirtori have a theory to explain how telescopes function? We argue that Sirtori’s Telescopium is grounded in empirically derived rules of thumb from the spectacle-making craft and did not develop into a coherent instrumental theory capable of advancing telescope construction.

Related Results

Ary Scheffer, een Nederlandse Fransman
Ary Scheffer, een Nederlandse Fransman
AbstractAry Scheffer (1795-1858) is so generally included in the French School (Note 2)- unsurprisingly, since his career was confined almost entirely to Paris - that the fact that...
If I Had Possession over Judgment Day: Augmenting Robert Johnson
If I Had Possession over Judgment Day: Augmenting Robert Johnson
augmentvb [ɔːgˈmɛnt]1. to make or become greater in number, amount, strength, etc.; increase2. Music: to increase (a major or perfect interval) by a semitone (Collins English Dicti...
Climate change drives degradation of future observations with ground-based telescopes
Climate change drives degradation of future observations with ground-based telescopes
<p>Exoplanet observations with ground-based instruments are subject to climate conditions on Earth. Therefore, one important aspect in site selection for ground-based...
Design of a portable observatory control system
Design of a portable observatory control system
In this thesis, we synthesize the development of a new concept of operation of small robotic telescopes operated over the Internet. Our design includes a set of improvements in con...
Development of artificial Earth satellite simulation software for future radio telescopes in Indonesia
Development of artificial Earth satellite simulation software for future radio telescopes in Indonesia
"In the near future, four radio telescopes will be installed in Indonesia. Besides the astronomical purposes, these telescopes are expected to support the ground station for tracki...
Instrumentation of a 2.6 THz heterodyne receiver
Instrumentation of a 2.6 THz heterodyne receiver
Instrumentation d'un récepteur hétérodyne à 2.6 THz Les observations astronomiques nous permettent d’étudier l’univers et de comprendre les phénomènes qui le gouver...
Black Wax(ing): On Gil Scott-Heron and the Walking Interlude
Black Wax(ing): On Gil Scott-Heron and the Walking Interlude
The film opens in an unidentified wax museum. The camera pans from right to left, zooming in on key Black historical figures who have been memorialized in wax. W.E.B. Du Bois, Mari...
Henry Lives! Learning from Lawson Fandom
Henry Lives! Learning from Lawson Fandom
Since his death in 1922, Henry Lawson’s “spirit” has been kept alive by admirers across Australia. Over the last century, Lawson’s reputation in the academy has fluctuated yet fan ...

Back to Top