MODERN MONUMENTAL CERAMIC SCULPTURE IN A RECREATION ENVIRONMENT

The article examines the problems of combining an architectural recreational space and a work of monumental ceramic art. The interrelationship of monumental and decorative forms of decorative art namely, ceramics and architecture, as well as plastic and colorful enrichment of the architectural space for recreational purposes, is highlighted.  The principles of the interaction of the recreational environment and the monumental-decorative ceramic work are given, such as the creation of the necessary conditions for the separation or interconnection of processes that take place inside or outside buildings, in places of rest, or in other environments. There are three principles of interaction between the recreational environment and the monumental-decorative ceramic work: based on three-dimensional dominants, on spatial dominants, or on the dominance of linear-axial connection. It is noted that a decorative element as a work of art evokes a certain number of ideas, experiences, and thoughts in the viewer. The concept of a work of art has a material expression, but it cannot be reduced to a physical object.