Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Psychotherapy as a Human Science: Clinical Case Studies Exploring the Abyss of Madness

View through CrossRef
This paper presents examples of my clinical work that illustrate a phenomenologically, humanistically, existentially, and psychodynamically informed approach to severe psychological disturbances, including both so-called schizophrenia and so-called bipolar disorder.  I illustrate how "symptoms" that appear in this realm can be seen not as outward signs of an inward illness, but as reactions to such ongoing experiences as devastating abandonment, felt misunderstanding, and re-traumatization. Following this, I imagine a world of psychiatry and psychology as a human science, one that has escaped the hegemony of the medical model and grounds itself in the study of human lives as they are lived and experienced.  In this world, the therapist has a radical engagement with the client, with the therapist’s subjectivity being everywhere present in the psychotherapeutic process. Here, there is no such thing as detached observation; and if  a psychotherapeutic dialogue is in any measure successful, it always illuminates and transforms the worlds of both of the people involved.
National Register of Health Service Psychologists
Title: Psychotherapy as a Human Science: Clinical Case Studies Exploring the Abyss of Madness
Description:
This paper presents examples of my clinical work that illustrate a phenomenologically, humanistically, existentially, and psychodynamically informed approach to severe psychological disturbances, including both so-called schizophrenia and so-called bipolar disorder.
  I illustrate how "symptoms" that appear in this realm can be seen not as outward signs of an inward illness, but as reactions to such ongoing experiences as devastating abandonment, felt misunderstanding, and re-traumatization.
Following this, I imagine a world of psychiatry and psychology as a human science, one that has escaped the hegemony of the medical model and grounds itself in the study of human lives as they are lived and experienced.
  In this world, the therapist has a radical engagement with the client, with the therapist’s subjectivity being everywhere present in the psychotherapeutic process.
Here, there is no such thing as detached observation; and if  a psychotherapeutic dialogue is in any measure successful, it always illuminates and transforms the worlds of both of the people involved.

Related Results

The Abyss of Madness and Human Understanding
The Abyss of Madness and Human Understanding
Two pairs of authors—Pienkos and Sass (2012) and Josselson and Mattila (2012)—have commented upon my article, "Psychotherapy as a Human Science: Clinical Case Studies Exploring the...
The Quest for Causality in Psychotherapy Research
The Quest for Causality in Psychotherapy Research
This commentary on the article by Frankl, Wennberg, Berggraf and Philips (2020) focuses on methodological aspects of case studies versus group designs in psychotherapy research. Ex...
Making unformulated experience real through painting: Painting and psychoanalytic psychotherapy practice as two ways of making sense
Making unformulated experience real through painting: Painting and psychoanalytic psychotherapy practice as two ways of making sense
AbstractI contend that painting, like psychoanalytic psychotherapy, is an intersubjective process able to connect hearts and minds of painters and viewers alike, because the creati...
Enacting the social relations of science: historical (anti-)boundary-work of Danish science journalist Børge Michelsen
Enacting the social relations of science: historical (anti-)boundary-work of Danish science journalist Børge Michelsen
This article investigates the writings of Danish science journalist Børge Michelsen from 1939 to 1956. As part of the international social relations of science movement in the peri...
Lucy, Lucia, and Locke
Lucy, Lucia, and Locke
Madness may remain silent in fiction, but not in opera. In giving voice to the madness of Lucia in Donizetti’s Lucia di Lammermoor, his adaptation of Scott’s The Bride of Lammermoo...
Pathology and Poly-vocality in Nina Yargekov's Tuer Catherine (2009)
Pathology and Poly-vocality in Nina Yargekov's Tuer Catherine (2009)
Nina Yargekov's debut novel Tuer Catherine (2009) updates longstanding conceptual links between madness and writing by borrowing ideas and terminology from clinical discourses, inc...
Science Communication as a Boundary Space: An Interactive Installation about the Social Responsibility of Science
Science Communication as a Boundary Space: An Interactive Installation about the Social Responsibility of Science
Science communication has traditionally been seen as a means of crossing the boundary of science: moving scientific knowledge into the public. This paper presents an alternative un...

Recent Results


Back to Top