Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

National Supernaturalism

View through CrossRef
This chapter examines how the late-Victorian folklorist and critic Andrew Lang reinvented the idea of many-sidedness as a populist polemic—one that showed W. B. Yeats how to recuperate the old moves of literary nationalism for a global modernism. Although Lang had been Arnold’s student at Oxford, his seminal anthropological treatises insisted that many-sidedness could best be cultivated not by sampling “the best which has been thought and said in the world” but rather by omnivorously embracing ancient folk tales alongside pop fiction. Yet Lang’s populism was also predicated upon a crypto-Romantic view of folklore as talismans of an endangered authenticity out of place in the modern world. This buried essentialism ultimately alienated Lang from mainstream anthropology, but it would also teach the young Yeats that presenting the national as the primitive and the primitive as the occult allowed one to frame Irish folk literature as simultaneously local and cosmopolitan.
Title: National Supernaturalism
Description:
This chapter examines how the late-Victorian folklorist and critic Andrew Lang reinvented the idea of many-sidedness as a populist polemic—one that showed W.
B.
Yeats how to recuperate the old moves of literary nationalism for a global modernism.
Although Lang had been Arnold’s student at Oxford, his seminal anthropological treatises insisted that many-sidedness could best be cultivated not by sampling “the best which has been thought and said in the world” but rather by omnivorously embracing ancient folk tales alongside pop fiction.
Yet Lang’s populism was also predicated upon a crypto-Romantic view of folklore as talismans of an endangered authenticity out of place in the modern world.
This buried essentialism ultimately alienated Lang from mainstream anthropology, but it would also teach the young Yeats that presenting the national as the primitive and the primitive as the occult allowed one to frame Irish folk literature as simultaneously local and cosmopolitan.

Related Results

Running To Paradise
Running To Paradise
Abstract In Running to Paradise, M.L. Rosenthal, hailed by the Times Literary Supplement as “one of the most important critics of twentieth-century poetry,” leads us...
Steel orchestras and tassa bands
Steel orchestras and tassa bands
In the 1950s, the steel orchestra in Trinidad and Tobago became an icon of a nationalist discourse promoting African Trinidadian culture as national culture. In subsequent decades,...
The EU Antitrust Damages Directive
The EU Antitrust Damages Directive
Abstract This book provides a comprehensive review of the implementation of the Antitrust Damages Directive across a selected number of EU States. It looks at generi...
Modelling Attribution
Modelling Attribution
How and why does the attribution of an incident become the responsibility of the executive rather than the judiciary? How do the processes of attributing a criminal incident and at...
Historic House Museums in the United States and the United Kingdom
Historic House Museums in the United States and the United Kingdom
Historic House Museums in the United States and the United Kingdom: A History addresses the phenomenon of historic houses as a distinct species of museum. Everyone understands the ...
National Museums, National Narratives, and Identity Politics
National Museums, National Narratives, and Identity Politics
The purpose of this chapter is to examine the surge of identity politics and the diversification of heritage and the tensions that arise with the traditional role of national museu...
Naval Engagements
Naval Engagements
Abstract The construction of an important element in British national identity is explored in Naval Engagements, looking at the ways in which the navy - a major s...
The National's Boxer
The National's Boxer
We all know the Boxer. The fighter who remembers every glove but still remains. That grisly, bruised American allegory who somehow gets up more times than he’s knocked down. This i...

Back to Top