Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

On Jean-Luc Godard, Jean Genet and representing the Palestinians

View through CrossRef
In July 2014, the people who took part to the banned demonstration in Paris against the intervention of the Israeli Defence Forces in Gaza were expressing their support of a besieged people. However, this very support was also an excuse to demonstrate their religious and ethnic allegiances as well as their political opinions. The use of the Palestinian struggle for recognition as a tool in domestic political debates is not a recent trend in French political culture: it can be traced back to 1968 when the Palestinian cause was discovered in the aftermath of the Six-Day War. A pioneer of the Palestinian cause, Jean-Luc Godard, was recently accused of anti-Semitism when he was considered for a lifetime achievement award at the Oscars in 2010. The same year, in Marseille, a conference celebrating the hundredth anniversary of Jean Genet’s birth was almost cancelled because it could supposedly have caused problems of public safety. Long after their works on this topic came out, both authors’ positions regarding the Israeli–Palestinian conflict are still considered extremely controversial. This article explores the speeches of both men regarding movements of Palestinian resistance after they visited refugee camps in Jordan and Lebanon in the 1970s and the 1980s. It argues that, as fiery anti-Zionists, Jean Genet and Jean-Luc Godard unconsciously create a mythology of Palestinian struggle for recognition and independence in order to protest against its representation in the mass media of capitalistic societies.
Title: On Jean-Luc Godard, Jean Genet and representing the Palestinians
Description:
In July 2014, the people who took part to the banned demonstration in Paris against the intervention of the Israeli Defence Forces in Gaza were expressing their support of a besieged people.
However, this very support was also an excuse to demonstrate their religious and ethnic allegiances as well as their political opinions.
The use of the Palestinian struggle for recognition as a tool in domestic political debates is not a recent trend in French political culture: it can be traced back to 1968 when the Palestinian cause was discovered in the aftermath of the Six-Day War.
A pioneer of the Palestinian cause, Jean-Luc Godard, was recently accused of anti-Semitism when he was considered for a lifetime achievement award at the Oscars in 2010.
The same year, in Marseille, a conference celebrating the hundredth anniversary of Jean Genet’s birth was almost cancelled because it could supposedly have caused problems of public safety.
Long after their works on this topic came out, both authors’ positions regarding the Israeli–Palestinian conflict are still considered extremely controversial.
This article explores the speeches of both men regarding movements of Palestinian resistance after they visited refugee camps in Jordan and Lebanon in the 1970s and the 1980s.
It argues that, as fiery anti-Zionists, Jean Genet and Jean-Luc Godard unconsciously create a mythology of Palestinian struggle for recognition and independence in order to protest against its representation in the mass media of capitalistic societies.

Related Results

From Sidon to Tripoli
From Sidon to Tripoli
Born in Canada of Greek parents, Dr Giannou trained at the Universi ty of Algiers medical school and completed his medical degree at Cairo University, specialising in cancer surger...
Ah! les salauds!
Ah! les salauds!
Cet article porte sur le film Allemagne 90 de Jean-Luc Godard. Il met en valeur l’éthique à l’oeuvre dans ce film, résidant dans l’entremêlement des combats, le « combat-contre » e...
“Alcanzar a Dios sin Dios”. La relación entre fenomenología y teología en Edmund Husserl y Jean-Luc Marion
“Alcanzar a Dios sin Dios”. La relación entre fenomenología y teología en Edmund Husserl y Jean-Luc Marion
Asumiendo que existe una fecunda relación histórica entre teología y fenomenología, este trabajo se propone señalar la especificidad y novedad de la fenomenología francesa actual, ...
Imagining the World Otherwise: Jean-Luc Nancy and John Caputo on the Poetics of Creation
Imagining the World Otherwise: Jean-Luc Nancy and John Caputo on the Poetics of Creation
Abstract This article compares Jean-Luc Nancy and John Caputo’s poetics of creation. Against the horizon of the death of God (or ‘de-theologisation’), the issue of t...
L'impouvoir
L'impouvoir
Dans cet entretien, Jean-Luc Marion remet en cause la pertinence à la fois du concept de pouvoir et de la question même de l’« au-delà » du pouvoir dans la mesure où tous deux deme...
Dante à l’épreuve de l’amour
Dante à l’épreuve de l’amour
L’ itinerarium mentis entrepris par Dante, vers le bonheur et à travers Béatrice, entretient un rapport vital avec l’expérience philosophique, comme le montre le lien entre la Vita...
I, Jean Seberg
I, Jean Seberg
In "I, Jean Seberg," author/filmmaker Mark Rappaport (director of Rock Hudson's Home Movies [see FQ vol. 49, no. 4]), discusses how he came to make his film, From the Journals of J...
The Erotic in the Theatre of Peter Zadek
The Erotic in the Theatre of Peter Zadek
In NTQ 4 (1985) we included a fully-illustrated interview with the German director Peter Zadek conducted by Roy Kift. Here, Andreas Höfele explores one of the subjects touched on i...

Back to Top