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Jean Rhys
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Jean Rhys has long been central to debates in feminist, modernist, Caribbean, British and postcolonial writing. Elaine Savory's study, first published in 1999, incorporates and modifies previous critical approaches and is a critical reading of Rhys's entire oeuvre, including the stories and autobiography, and is informed by Rhys's own manuscripts. Designed both for the serious scholar on Rhys and those unfamiliar with her writing, Savory's book insists on the importance of a Caribbean-centred approach to Rhys, and shows how this context profoundly affects her literary style. Informed by contemporary arguments on race, gender, class and nationality, Savory explores Rhys's stylistic innovations - her use of colours, her exploitation of the trope of performance, her experiments with creative non-fiction and her incorporation of the metaphysical into her texts. This study offers a comprehensive account of the life and work of this most complex and enigmatic of writers.
Title: Jean Rhys
Description:
Jean Rhys has long been central to debates in feminist, modernist, Caribbean, British and postcolonial writing.
Elaine Savory's study, first published in 1999, incorporates and modifies previous critical approaches and is a critical reading of Rhys's entire oeuvre, including the stories and autobiography, and is informed by Rhys's own manuscripts.
Designed both for the serious scholar on Rhys and those unfamiliar with her writing, Savory's book insists on the importance of a Caribbean-centred approach to Rhys, and shows how this context profoundly affects her literary style.
Informed by contemporary arguments on race, gender, class and nationality, Savory explores Rhys's stylistic innovations - her use of colours, her exploitation of the trope of performance, her experiments with creative non-fiction and her incorporation of the metaphysical into her texts.
This study offers a comprehensive account of the life and work of this most complex and enigmatic of writers.
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Wander, Watch, Repeat: Jean Rhys and Cinema
Wander, Watch, Repeat: Jean Rhys and Cinema
This explores how modernist literature in the late 1920s and in the 1930s engaged with and conceptualised cinema culture, focusing on Jean Rhys’s early novels as a case study. It ...
Fashion in Jean Rhys/Jean Rhys in Fashion
Fashion in Jean Rhys/Jean Rhys in Fashion
This article proposes a reciprocal relationship between Jean Rhys's interwar fiction and the mass media that popularised her work in the 1960s and 1970s. Surveying the signs that R...
‘Upholstered Ghosts’: Jean Rhys’s Posthuman Imaginary
‘Upholstered Ghosts’: Jean Rhys’s Posthuman Imaginary
Each of Jean Rhys’s novels written during the modernist period presents a world in which her female protagonists are besieged by poverty, exile, loneliness, and abasement at the ha...
Jean Rhys and Katherine Mansfield Writing the ‘sixth act’
Jean Rhys and Katherine Mansfield Writing the ‘sixth act’
Jean Rhys (1890-1979) and Katherine Mansfield (1888-1923) were born within two years of each other in what were then British colonies under the New Imperialism. Rhys’s relative lon...
Jean Rhys’s Environmental Language: Oppositions, Dialogues and Silences
Jean Rhys’s Environmental Language: Oppositions, Dialogues and Silences
Postcolonial ecocriticism is a new and rapidly growing field, characterized by a consciousness of the simultaneous depredation of subordinated people and land both during and after...
Female Island: Jean Rhys’s Wide Sargasso Sea
Female Island: Jean Rhys’s Wide Sargasso Sea
Abstract
Two leading articles of feminist hue – “The Laugh of the Medusa” (1976) and “Feminist Criticism in the Wilderness” (1981) – by two seminal figures, Hélène C...
The Empire of Affect: Reading Rhys after Postcolonial Theory
The Empire of Affect: Reading Rhys after Postcolonial Theory
This essay contributes to developing 21st-century readings of Rhys by exploring her work in relation to more recent theories of affect, particularly those associated with Brian Mas...

