Changing phases of Mewar painting

This chapter proposes a distinction between syntactic phases headed by C and D as final, in contrast to other non-final phases. Final phases act as stronger boundaries for head mov...

In The Aesthetics of Qiyun and Genius: Spirit Consonance in Chinese Landscape Painting and Some Kantian Echoes, Xiaoyan Hu provides an interpretation of the notion of qiyun, or spi...