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Cormac McCarthy
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Cormac McCarthy (b. 1933) was born Charles Joseph McCarthy Jr. in Providence, Rhode Island, and moved as young child to Knoxville, Tennessee, where he grew up attending private Catholic schools. He enrolled at the University of Tennessee but left to join the US Air Force. After being stationed in Alaska, he returned home to complete his college education, majoring in liberal arts, but he left before earning his degree to become a writer. His first novel, The Orchard Keeper (1965), was set in mountain regions around Knoxville and dealt with the traumatic effects of modernization on rural environments. The novel was edited by Albert Erskine, William Faulkner’s former editor, and received generally positive reviews. It was followed by Outer Dark (1968), a novel set in an unnamed southern dreamscape that follows the tortured journey of a poverty-stricken brother and sister as they seek redemption from transgression and guilt. Another novel, Child of God (1973), followed in the vein of the Southern gothic and Southern grotesque, as a degraded and arguably victimized young man succumbs to perverse depths of necrophilia and murder. A subsequent novel, Suttree (1979), is partly autobiographical and deals with the experience of a privileged but alienated young man who lives and works among the destitute in Knoxville. This long novel is notable for its engagement with the exterior city and rural environments and the interior mindscapes of its central protagonist. McCarthy then moved to the West and took the area as a setting for five later works. His most studied novel, Blood Meridian; or, The Evening Redness in the West (1985), is based on an actual historical account and contends with the violence that attended westward expansion. The three novels of the Border Trilogy are All the Pretty Horses (1992), The Crossing (1994), and Cities of the Plain (1998). These neo-Westerns explore the trauma of two young men as they deal with a West that is changing under the influence of modernity. The West remains the setting for No Country for Old Men (2005), which deals with the question of endemic violence in the context of the drug trade. McCarthy’s last published novel to date is the very personal and post-apocalyptic parable The Road (2006), which won the Pulitzer Prize. He is also known for plays and screenplays. In 2003 the literary critic Harold Bloom named McCarthy, along with Don DeLillo, Thomas Pynchon, and Philip Roth, as one of the four major living American novelists.
Title: Cormac McCarthy
Description:
Cormac McCarthy (b.
1933) was born Charles Joseph McCarthy Jr.
in Providence, Rhode Island, and moved as young child to Knoxville, Tennessee, where he grew up attending private Catholic schools.
He enrolled at the University of Tennessee but left to join the US Air Force.
After being stationed in Alaska, he returned home to complete his college education, majoring in liberal arts, but he left before earning his degree to become a writer.
His first novel, The Orchard Keeper (1965), was set in mountain regions around Knoxville and dealt with the traumatic effects of modernization on rural environments.
The novel was edited by Albert Erskine, William Faulkner’s former editor, and received generally positive reviews.
It was followed by Outer Dark (1968), a novel set in an unnamed southern dreamscape that follows the tortured journey of a poverty-stricken brother and sister as they seek redemption from transgression and guilt.
Another novel, Child of God (1973), followed in the vein of the Southern gothic and Southern grotesque, as a degraded and arguably victimized young man succumbs to perverse depths of necrophilia and murder.
A subsequent novel, Suttree (1979), is partly autobiographical and deals with the experience of a privileged but alienated young man who lives and works among the destitute in Knoxville.
This long novel is notable for its engagement with the exterior city and rural environments and the interior mindscapes of its central protagonist.
McCarthy then moved to the West and took the area as a setting for five later works.
His most studied novel, Blood Meridian; or, The Evening Redness in the West (1985), is based on an actual historical account and contends with the violence that attended westward expansion.
The three novels of the Border Trilogy are All the Pretty Horses (1992), The Crossing (1994), and Cities of the Plain (1998).
These neo-Westerns explore the trauma of two young men as they deal with a West that is changing under the influence of modernity.
The West remains the setting for No Country for Old Men (2005), which deals with the question of endemic violence in the context of the drug trade.
McCarthy’s last published novel to date is the very personal and post-apocalyptic parable The Road (2006), which won the Pulitzer Prize.
He is also known for plays and screenplays.
In 2003 the literary critic Harold Bloom named McCarthy, along with Don DeLillo, Thomas Pynchon, and Philip Roth, as one of the four major living American novelists.
Related Results
Disgust in the Early Works of Cormac McCarthy
Disgust in the Early Works of Cormac McCarthy
Although critics quickly recognized that Cormac McCarthy was a writer who dealt with grotesque and violent material in an uncommonly forthright manner, many saw this aspect of his ...
Cormac McCarthy and Leslie Garrett: A Literary Friendship
Cormac McCarthy and Leslie Garrett: A Literary Friendship
Drawing on print and film interviews with novelist Leslie Garrett by Knoxville journalist Don Williams, this article examines McCarthy’s friendship with Garrett from the perspectiv...
The Cormac Room
The Cormac Room
ABSTRACT
This is not literary article about Cormac McCarthy but an article about Cormac the architect, builder, and stonemason. For three months Cormac was involv...
Cormac McCarthy's Poetics of Craftsmanship
Cormac McCarthy's Poetics of Craftsmanship
ABSTRACT
“The work is everything,” says Ben, the main character of McCarthy's play The Stonemason, summing up his grandfather Papaw's view of the craft of the stonem...
Review Essays on Recent Scholarship: Elmore Bros. on McCarthy-as-Philosopher; Isekenmeier on Contemporary Literary Mediality; Lindquist on Postnationalism in Postmodernism
Review Essays on Recent Scholarship: Elmore Bros. on McCarthy-as-Philosopher; Isekenmeier on Contemporary Literary Mediality; Lindquist on Postnationalism in Postmodernism
Three Review Essays: Cormac McCarthy, Philosopher Re...
Robert Coles and Cormac McCarthy: A Case Study of Literary Patronage
Robert Coles and Cormac McCarthy: A Case Study of Literary Patronage
ABSTRACT
This article draws on the extensive archives of Robert Coles, the records of the Lyndhurst Foundation, and other archival collections to explore Coles's and...
Symbolism and Allegory in the Works of Cormac McCarthy
Symbolism and Allegory in the Works of Cormac McCarthy
ABSTRACT
Cormac McCarthy’s ecocentric style has received continuous critical attention at least since Vereen Bell’s pioneering work in the early 1980s, and ultima...
Meaninglessness, Indifference, Suicide, and Incest: The Philosophical Pessimism of Cormac McCarthy’s
Stella Maris
Meaninglessness, Indifference, Suicide, and Incest: The Philosophical Pessimism of Cormac McCarthy’s
Stella Maris
ABSTRACT
While pessimism has long been a central theme of the scholarly engagement with McCarthy’s oeuvre, Stella Maris and The Passenger offer his first full-thr...

