Search engine for discovering works of Art, research articles, and books related to Art and Culture
Javascript must be enabled to continue!
Carter vs. Poets (Round 2)
View through CrossRef
Alongside the lucid, transparent instrumental works of his last years, Carter composed seven works for voice and ensemble that set poetry by the founding generation of American literary modernism: William Carlos Williams, Wallace Stevens, Marianne Moore, Ezra Pound, T.S. Eliot and e.e. cummings. Though contemporaries, these poets differed widely in their aesthetic and political stances. Carter’s settings connect with each of them in different ways. Some of these works revive the darker, more troubling explorations of Carter’s middle years. Taken as a whole though, they can be heard as a legacy project, a monument to and critique of the aesthetic ideas Carter first encountered in his teens.
Title: Carter vs. Poets (Round 2)
Description:
Alongside the lucid, transparent instrumental works of his last years, Carter composed seven works for voice and ensemble that set poetry by the founding generation of American literary modernism: William Carlos Williams, Wallace Stevens, Marianne Moore, Ezra Pound, T.
S.
Eliot and e.
e.
cummings.
Though contemporaries, these poets differed widely in their aesthetic and political stances.
Carter’s settings connect with each of them in different ways.
Some of these works revive the darker, more troubling explorations of Carter’s middle years.
Taken as a whole though, they can be heard as a legacy project, a monument to and critique of the aesthetic ideas Carter first encountered in his teens.
Related Results
Carter vs. Poets (Round 1)
Carter vs. Poets (Round 1)
With A Mirror on which to Dwell, composed in 1975, Carter returned to vocal music and to modern American poetry. Mirror, to poems of Elizabeth Bishop, was soon followed by Syringa ...
Elliott Carter Studies
Elliott Carter Studies
Over the course of an astonishingly long career, Elliott Carter has engaged with many musical developments of the twentieth and now twenty-first centuries - from his early neo-clas...
Carter ’s Human Rights Campaign
Carter ’s Human Rights Campaign
This chapter examines Jimmy Carter's promotion of human rights abroad as part of his foreign policy. The Carter administration gave a relatively precise interpretation of the meani...
Memoirs of the Life of Mrs Elizabeth Carter
Memoirs of the Life of Mrs Elizabeth Carter
Montagu Pennington (1762–1849) published this account of the life and work of the English poet and classicist Elizabeth Carter (1717–1806) in 1807. Carter first made her name in 17...
Turning Points (1945–1948)
Turning Points (1945–1948)
Until the appearance of his Piano Sonata in 1946, and Sonata for Violoncello and Piano in 1948 Carter seemed to lack a distinctive voice. Aaron Copland, a close friend, taunted Car...
Pausanias’ Dead Poets Society
Pausanias’ Dead Poets Society
This chapter examines the tombs of poets in Pausanias’ Description of Greece. It argues that the buried bones of ancient poets, and of heroes featured in their poetry, function as ...
Struggle over Human Rights
Struggle over Human Rights
The Struggle over Human Rights: The Non-Aligned Movement, Jimmy Carter, and Neoliberalism traces the origins of the relationship between neoliberalism and the modern doctrine of hu...