Drawing exhibition triad

‘The artwork is no longer the integral part of the exhibition; to curate an exhibition is to curate an experience.’ Bridging the gap between curatorial practices ...

Today’s multi-modal, participatory exhibitions and attractions are bound by a desire to convey information, excite the viewer and create social and narrative experiences. Without d...

In The Massacre of the Innocents: Studies in the Cultural Afterlife of a Gospel Scene, Warren Carter examines some fifty instances of the interpretation of the Matthean “Massacre o...

Metis : On the Surface is an exhibition of seven projects that range from installations to large urban restructuring proposals. The exhibition and the projects are by Metis, an ate...

How does drawing shape the truth and our understanding of the visual world? Why has the act of reportage drawing persisted and thrived in our ever-changing media landscape? ...

Tremble Tremble was an exhibition curated by Tessa Giblin for the Irish pavilion of the 57th Venice Biennale 2017. The exhibition was a collaboration between Giblin and the Irish a...

Drawing has been growing in recognition and stature within contemporary fine art since the mid-1970s. Simultaneously, feminist activism has been widespread, leading to the increase...

Great exhibits are never an accident. Planning effective exhibits is a demanding process that requires the designer to consider many different aspects and navigate numerous pitfall...