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Close Encounters: Influences and Production Background
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This chapter examines a number of filmic influences on Steven Spielberg's
Close Encounters of the Third Kind
(1977), which give it an element of intertextuality. Rather than lending
Close Encounters
an air of postmodern pastiche, the intertextuality of the film helps to shape its inner meaning and philosophy. The chapter highlights how Stanley Kubrick's
2001: A Space Odyssey
(1968) is a major influence on Spielberg's film in a number of ways. Other influences on
Close Encounters
include Disney films; other great American filmmakers; Alfred Hitchcock and Frank Capra; and astrophysicist J. Allen Hynek's book
The UFO Experience: A Scientific Report
(1972), which rekindled Spielberg's long-term personal interest in the UFO phenomenon that had begun as a teenager growing up in Arizona, and which had already resulted in his feature-length amateur film,
Firelight
, made in 1964 when he was sixteen. The chapter then details the production background of
Close Encounters
, including its script development and filming process.
Title: Close Encounters: Influences and Production Background
Description:
This chapter examines a number of filmic influences on Steven Spielberg's
Close Encounters of the Third Kind
(1977), which give it an element of intertextuality.
Rather than lending
Close Encounters
an air of postmodern pastiche, the intertextuality of the film helps to shape its inner meaning and philosophy.
The chapter highlights how Stanley Kubrick's
2001: A Space Odyssey
(1968) is a major influence on Spielberg's film in a number of ways.
Other influences on
Close Encounters
include Disney films; other great American filmmakers; Alfred Hitchcock and Frank Capra; and astrophysicist J.
Allen Hynek's book
The UFO Experience: A Scientific Report
(1972), which rekindled Spielberg's long-term personal interest in the UFO phenomenon that had begun as a teenager growing up in Arizona, and which had already resulted in his feature-length amateur film,
Firelight
, made in 1964 when he was sixteen.
The chapter then details the production background of
Close Encounters
, including its script development and filming process.
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