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View of the Garden of the Villa Borghese in Rome

View through National Gallery of Denmark
In his view of the gardens of the Villa Borghese, Eckersberg made a section of a dilapidated, unremarkable eighteen-century aqueduct the main subject of his painting. What is more, the classical reliefs seen on the wall are foreshortened to the point of becoming unrecognisable. Eckersberg used the oblique wall to create a sense of depth in the picture, but even so his approach is quite unusual: the aqueduct and the trees in the background completely impede the view. The painting was presumably created in the summer of 1814, around the time when Eckersberg began painting out of doors. The rendition of the sunlit and shaded areas suggests direct, immediate on-site observation. A preliminary drawing for this painting exists, dated 1814 (SMK).
Værkdatering: (1814) Tegningen til maleriet er dateret 1814 (KKSgb4186) . Erik Fischer har påpeget, at det blomstrende træ i baggrunden sandsynligvis er en catalpa bignonioides eller den beslægtede catalpa speciosa, der i Rom blomstrer i juli/august (Tegninger af C. W. Eckersberg, 1983, p. 168). Maleriet er derfor uden tvivl udført i løbet af sommeren 1814.
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Title: View of the Garden of the Villa Borghese in Rome
Description:
In his view of the gardens of the Villa Borghese, Eckersberg made a section of a dilapidated, unremarkable eighteen-century aqueduct the main subject of his painting.
What is more, the classical reliefs seen on the wall are foreshortened to the point of becoming unrecognisable.
Eckersberg used the oblique wall to create a sense of depth in the picture, but even so his approach is quite unusual: the aqueduct and the trees in the background completely impede the view.
The painting was presumably created in the summer of 1814, around the time when Eckersberg began painting out of doors.
The rendition of the sunlit and shaded areas suggests direct, immediate on-site observation.
A preliminary drawing for this painting exists, dated 1814 (SMK).

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