Javascript must be enabled to continue!
Rosary Bead with Depiction of the Bearing of the Cross and the Crucifixion
View through National Gallery of Denmark
When opened, this five-centimetre sphere reveals a small
world of its own, meticulously carved with great care and
attention to detail. The upper hemisphere portrays Christ’s
Crucifixion. The lower half depicts Jesus passing through the
gates of Jerusalem carrying his cross on his way to Calvary.
The modest scale of this sphere, which was designed to be
held in the hands, prompts the viewer to fully engage with the
carved images and to focus on each individual figure.
The artist displays remarkable virtuosity in creating
spatial depth and coherence in the narrative, which features a
multitude of figures. At present, we know of approximately 80
prayer nuts in existence. This specific item is the only signed
example bearing the inscription ‘Adam Thedorici me fecit,’
which translates to ‘Adam Dircksz made me.’ By employing
the form ‘me fecit,’ the artist invokes a medieval tradition,
thereby allowing this modest work to speak for itself (50 Favorites in the SMK Collection).
Title: Rosary Bead with Depiction of the Bearing of the Cross and the Crucifixion
Description:
When opened, this five-centimetre sphere reveals a small
world of its own, meticulously carved with great care and
attention to detail.
The upper hemisphere portrays Christ’s
Crucifixion.
The lower half depicts Jesus passing through the
gates of Jerusalem carrying his cross on his way to Calvary.
The modest scale of this sphere, which was designed to be
held in the hands, prompts the viewer to fully engage with the
carved images and to focus on each individual figure.
The artist displays remarkable virtuosity in creating
spatial depth and coherence in the narrative, which features a
multitude of figures.
At present, we know of approximately 80
prayer nuts in existence.
This specific item is the only signed
example bearing the inscription ‘Adam Thedorici me fecit,’
which translates to ‘Adam Dircksz made me.
’ By employing
the form ‘me fecit,’ the artist invokes a medieval tradition,
thereby allowing this modest work to speak for itself (50 Favorites in the SMK Collection).
Related Results
Image frieze over Queen Victoria’s of England coronation procession 1838-06-28, published by Fore 's Sporting & Fine Print Repository, London.
Image frieze over Queen Victoria’s of England coronation procession 1838-06-28, published by Fore 's Sporting & Fine Print Repository, London.
Image frieze on the short ends with glued joints attached sheets paper, l: 185 mm, h: 10.3 mm. Attached to a pearl cardboard sleeve with glued brown pink (?) fabric with pressed fr...
Cardboard with 117 fantasy beads [2113 - 2229].
Cardboard with 117 fantasy beads [2113 - 2229].
Cardboard with sewn-on sample beads numbers 2113 through 2229. The beads are dull and opaque. Bead 2222 is a typical "bamenda bead".Manufacture Fantasy beads belong to the group of...
Cardboard with 117 fantasy beads [794 - 910].
Cardboard with 117 fantasy beads [794 - 910].
Cardboard with sewn-on sample beads numbers 794 - 910. They are mostly filigree beads, made of transparent glass. Bead 893 is an aventurine bead.ManufactureFantasy beads belong to ...
Μουσείο Ιεράς Μονής Κύκκου (Κύπρος): Παράσταση της Σταύρωσης και τμήμα της Αποκαθήλωσης του Χριστού. Αποτοιχισμένη τοιχογραφία από το ναό του Αγίου Αντωνίου, Κελλιά, Λάρνακα, 13ος αιώνας (E 808)
Μουσείο Ιεράς Μονής Κύκκου (Κύπρος): Παράσταση της Σταύρωσης και τμήμα της Αποκαθήλωσης του Χριστού. Αποτοιχισμένη τοιχογραφία από το ναό του Αγίου Αντωνίου, Κελλιά, Λάρνακα, 13ος αιώνας (E 808)
Mural painting with Crucifixion and Deposition of Christ . The mural has been removed from the church of Saint Anthony at Kellia in Larnaca, Cyprus....
Portrait of a Young Woman with a Rosary
Portrait of a Young Woman with a Rosary
This portrait of an unidentified female sitter can be dated to between 1609 and 1610 when Rubens was established in Antwerp following his return from Italy in 1608. The year 1609 s...
Buddhist Monk Kŭmp’adang Seated on a Mat and Holding a Staff in His Left Hand and a Buddhist Rosary in His Right Hand
Buddhist Monk Kŭmp’adang Seated on a Mat and Holding a Staff in His Left Hand and a Buddhist Rosary in His Right Hand
Painted in ink, mineral colors, and gold leaf on coarsely woven silk, this painting represents an elderly Buddhist monk seated cross-legged on a bamboo mat decorated with geometric...
Plate 6: The Agony in the Garden, from "The Mysteries of the Rosary"
Plate 6: The Agony in the Garden, from "The Mysteries of the Rosary"
Etching, The Mysteries of the Rosary...

