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New Meanings of 'Heroism’? Types of Sporting ‘Heroes’ in Egyptian Cinema

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This article aims at exploring the image of the athlete in the Egyptian social imagination by following its representation in cinema over the last three decades. I examine the characteristics of the folkloric hero through epic tales taken from throughout Islamic history and right up to the 21st century. In addition, I juxtapose the hero in popular culture with the protagonist in the Egyptian films and the athlete hero in cinema in terms of the following: The conflict the sporting hero overcomes in the film, the role of sport in this conflict, and the overall significance of the conflict; the personal traits of the sporting protagonist; the social class of the sporting hero; and the gender of the hero.The output of this article is a typology of four sportsperson stereotypes in Egyptian cinema, achieved through different strategies. I propose a typology of four types of Egyptian cinema sporting hero: The Regular Person, who encounters contradictions of good and evil, makes mistakes, and then returns to their senses; The National Hero, who brings victory to his nation; The Comedian; and The Marginalized.
Center for Open Science
Title: New Meanings of 'Heroism’? Types of Sporting ‘Heroes’ in Egyptian Cinema
Description:
This article aims at exploring the image of the athlete in the Egyptian social imagination by following its representation in cinema over the last three decades.
I examine the characteristics of the folkloric hero through epic tales taken from throughout Islamic history and right up to the 21st century.
In addition, I juxtapose the hero in popular culture with the protagonist in the Egyptian films and the athlete hero in cinema in terms of the following: The conflict the sporting hero overcomes in the film, the role of sport in this conflict, and the overall significance of the conflict; the personal traits of the sporting protagonist; the social class of the sporting hero; and the gender of the hero.
The output of this article is a typology of four sportsperson stereotypes in Egyptian cinema, achieved through different strategies.
I propose a typology of four types of Egyptian cinema sporting hero: The Regular Person, who encounters contradictions of good and evil, makes mistakes, and then returns to their senses; The National Hero, who brings victory to his nation; The Comedian; and The Marginalized.

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