Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Alfred Schnittke in Hamburg

View through CrossRef
He was a crosser on both a stylistic and personal level: the German-Russian-Jewish composer Alfred Schnittke (1934–1998) chose Hamburg as the new centre of his life in 1990, but remained connected to his old home in Moscow and travelled extensively. In the artistic environment of the Hanseatic city, Schnittke developed immense productivity despite severe health impairments. This phase is of particular music-historical interest from both a biographical and a compositional point of view and is the focus of this volume. Individual analytical studies look for the characteristics of a "late work" and signs of a changed compositional identity. With contributions by Boris Belge | Elena Dubinets | Hans-Ulrich Duffek | Amrei Flechsig | Reinhard Flender | Stefan Keym | Inna Klause | Jürgen Köchel | Elmar Lampson | Ivana Medić | Frank Strobel | Tim Sullivan
Georg Olms Verlag
Title: Alfred Schnittke in Hamburg
Description:
He was a crosser on both a stylistic and personal level: the German-Russian-Jewish composer Alfred Schnittke (1934–1998) chose Hamburg as the new centre of his life in 1990, but remained connected to his old home in Moscow and travelled extensively.
In the artistic environment of the Hanseatic city, Schnittke developed immense productivity despite severe health impairments.
This phase is of particular music-historical interest from both a biographical and a compositional point of view and is the focus of this volume.
Individual analytical studies look for the characteristics of a "late work" and signs of a changed compositional identity.
With contributions by Boris Belge | Elena Dubinets | Hans-Ulrich Duffek | Amrei Flechsig | Reinhard Flender | Stefan Keym | Inna Klause | Jürgen Köchel | Elmar Lampson | Ivana Medić | Frank Strobel | Tim Sullivan.

Related Results

Alfred Schnittke's Concerto Grosso no. 1
Alfred Schnittke's Concerto Grosso no. 1
Abstract This book provides for the first time an accessible, comprehensive study of Alfred Schnittke’s Concerto Grosso no. 1 (1977). One of Schnittke’s best-known a...
Recitativo
Recitativo
Abstract The third movement of Alfred Schnittke’s Concerto Grosso no. 1, Recitativo, lays bare the soloists, foregrounding and undercutting them simultaneously. More...
THE FAUST LEGEND AND ITS ROLE IN ALFRED SCHNITTKE'S WORK
THE FAUST LEGEND AND ITS ROLE IN ALFRED SCHNITTKE'S WORK
Alfred Schnittke (1934–1998) is among the most notable composers in the second half of the 20th century. Over the past 20 years his work has won wide acceptance and greater interna...
Further Thoughts on Schnittke
Further Thoughts on Schnittke
If Schnittke's plundering of past styles brings to mind Stravinsky, important distinctions must be made. Schnittke does not quarry the past with Stravinskian detachment; his stylis...
IN SEARCH OF SPIRITUAL IDENTITY: COMPARATIVE ASPECTS BETWEEN GUSTAV MAHLER AND ALFRED SCHNITTKE
IN SEARCH OF SPIRITUAL IDENTITY: COMPARATIVE ASPECTS BETWEEN GUSTAV MAHLER AND ALFRED SCHNITTKE
In this paper, I will approach the connections I have discovered between two composers born in different centuries and cultures, belonging to distinct historical periods, but havin...
Film Music by A. Schnittke: The Range of Literary Images
Film Music by A. Schnittke: The Range of Literary Images
The paper is devoted to the characterisation of the range of artistic images from classical and modern literature of the XX century in Alfred Schnittke’s musical score for feature ...
THE SYNTHESIS OF PAINTING AND MUSIC: WASSILY KANDINSKY – ALFRED SCHNITTKE
THE SYNTHESIS OF PAINTING AND MUSIC: WASSILY KANDINSKY – ALFRED SCHNITTKE
The interaction between colors and sounds, music and painting has existed long since. Throughout the centuries these two kinds of art have been developing simultaneously and in clo...
Cadenza
Cadenza
Abstract A focused point for the two soloists, the Cadenza movement of Alfred Schnittke’s Concerto Grosso no. 1 further engages with its themes of autonomy and contr...

Back to Top