Javascript must be enabled to continue!
Recovering Interpretative Possibilities in the Fiction of Flannery O’Connor: An Introduction
View through CrossRef
This chapter provides an overview of the responses to Flannery O’Connor’s fiction, highlighting both the strengths and weaknesses of the reception history, and argues for the need to recover the breadth of interpretation her work invites. The writers discuss the concept of authorial intent as it relates to O’Connor and lay out their premise that author, text, and audience all play roles in the process of meaning making. The authors also provide chapter summaries for each of the essays included in the volume.
Title: Recovering Interpretative Possibilities in the Fiction of Flannery O’Connor: An Introduction
Description:
This chapter provides an overview of the responses to Flannery O’Connor’s fiction, highlighting both the strengths and weaknesses of the reception history, and argues for the need to recover the breadth of interpretation her work invites.
The writers discuss the concept of authorial intent as it relates to O’Connor and lay out their premise that author, text, and audience all play roles in the process of meaning making.
The authors also provide chapter summaries for each of the essays included in the volume.
Related Results
UMA ANÁLISE COMPARADA DE FLANNERY O’CONNOR E LYA LUFT
UMA ANÁLISE COMPARADA DE FLANNERY O’CONNOR E LYA LUFT
O presente trabalho tem por objetivo apresentar uma análise comparada das personagens femininas Hulga/Joy do conto “Good Country People” (1955), de Flannery O’Connor, e Dolores/Dôd...
Flannery O’Connor’s Real Estate: Farming Intellectual Property
Flannery O’Connor’s Real Estate: Farming Intellectual Property
Carol Shloss takes a literal approach to the subject of legacy by exploring and questioning the legal nature of Flannery O’Connor’s literary estate, a hot topic among many O’Connor...
Frank O'Connor
Frank O'Connor
“O’Connor was, above all, a short story writer,” Maurice Sheehy proposed in the first extended bibliography of the writer’s work (Sheehy 1969, 168). Criticism over the last fifty y...
Reconsidering Flannery O'Connor
Reconsidering Flannery O'Connor
Flannery O’Connor’s work can be unsettling to read, inviting a wide range of responses because of her peculiar mixture of violence, grace, and humor. However, a few persistent read...
Flannery at the Grammys
Flannery at the Grammys
A devout Catholic, a visionary—and some say prophetic—writer, Flannery O’Connor (1925–1964) has gained a growing presence in contemporary popular culture. While O’Connor professed ...
“God Made Me Thisaway”: Crip-queer Perspectives on Flannery O’Connor
“God Made Me Thisaway”: Crip-queer Perspectives on Flannery O’Connor
Drawing on disability studies and queer theory, Bruce Henderson uses a “crip-queer” lens to read “A Temple of the Holy Ghost” and “The River.” Henderson argues that while O’Connor ...
O'Connor, Flannery (1925–1964)
O'Connor, Flannery (1925–1964)
Abstract
Born on March 25, 1925, in Savannah, Georgia, Flannery O'Connor was the only child of Regina and Edward O'Connor. She was baptized Mary Flannery. The O'Connors w...

