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Verdi and the Parisian boulevard theatre, 1847–9
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A number of scholars have drawn attention to the importance of Parisian popular theatre for an understanding of Verdian dramaturgy, especially in the operas leading up to Rigoletto, Il trovatore and La traviata. According to Giovanni Morelli, in Paris, Verdi frequented the popular theatre not for the sake of participating in the active milieu of Romantic cultural thought (Milanese circles had adequately fulfilled that need), but in order to mingle with a typical metropolitan theatre audience in the venues dedicated to the dissemination of a watered-down, middlebrow form of Romanticism.
Title: Verdi and the Parisian boulevard theatre, 1847–9
Description:
A number of scholars have drawn attention to the importance of Parisian popular theatre for an understanding of Verdian dramaturgy, especially in the operas leading up to Rigoletto, Il trovatore and La traviata.
According to Giovanni Morelli, in Paris, Verdi frequented the popular theatre not for the sake of participating in the active milieu of Romantic cultural thought (Milanese circles had adequately fulfilled that need), but in order to mingle with a typical metropolitan theatre audience in the venues dedicated to the dissemination of a watered-down, middlebrow form of Romanticism.
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