Javascript must be enabled to continue!
The Moment of Marcel Broodthaers? A Conversation
View through CrossRef
On the occasion of Marcel Broodthaers's first retrospective in New York at the Museum of Modern Art and forty years after his death in 1976, October presents a roundtable discussion on the Belgian artist's career and legacy. Exhibition curators Christophe Cherix and Manuel Borja-Villel join Benjamin H. D. Buchloh, Rachel Haidu, Rosalind Krauss, and Trevor Stark for a conversation on Broodthaers's work, his artistic development, and his reception. Topics include the indeterminacy between language and visuality; the status of film in his work; his meditations on the commodity, the art market, and the historical role of cultural institutions; his ambivalent relationship with Pop, Minimalism, and Conceptual Art; and national identity and decolonization.
MIT Press - Journals
Title: The Moment of Marcel Broodthaers? A Conversation
Description:
On the occasion of Marcel Broodthaers's first retrospective in New York at the Museum of Modern Art and forty years after his death in 1976, October presents a roundtable discussion on the Belgian artist's career and legacy.
Exhibition curators Christophe Cherix and Manuel Borja-Villel join Benjamin H.
D.
Buchloh, Rachel Haidu, Rosalind Krauss, and Trevor Stark for a conversation on Broodthaers's work, his artistic development, and his reception.
Topics include the indeterminacy between language and visuality; the status of film in his work; his meditations on the commodity, the art market, and the historical role of cultural institutions; his ambivalent relationship with Pop, Minimalism, and Conceptual Art; and national identity and decolonization.
Related Results
“The Word Film?” Marcel Broodthaers and cinema
“The Word Film?” Marcel Broodthaers and cinema
Marcel Broodthaers (1924–1976) is considered Belgium’s most important postwar artist. While his work is internationally recognized for its ingenious use and combination of various ...
Marcel Broodthaers and Film
Marcel Broodthaers and Film
Marcel Broodthaers, one of the key figures of the postwar avant-garde, has been recognized and extensively studied as a poet who became a visual artist in 1964. However, years befo...
The Central Concepts of Ordinary Language Philosophy in the Art of Marcel Broodthaers and Dimitrije Bašičević Mangelos
The Central Concepts of Ordinary Language Philosophy in the Art of Marcel Broodthaers and Dimitrije Bašičević Mangelos
While claiming that there are no fixed meanings behind words, Wittgenstein has focused attention on the possibilities of manipulation with linguistic categories. ‘Language game’ ca...
‘MUSEUM / enfants non admis’: Arriving Late to Marcel Broodthaers
‘MUSEUM / enfants non admis’: Arriving Late to Marcel Broodthaers
In 1968, the Belgian artist Marcel Broodthaers inaugurated the Musée d’Art Moderne, Département des Aigles at his home in Brussels, with the Section XIXème siècle. In 1972, Broodth...
Mobbing 2.0
Mobbing 2.0
Ben geht in die achte Klasse eines Gymnasiums in einer Kleinstadt. Und er geht ungern. Denn Ben ist ein Außenseiter, der von seinen Klassenkameraden wie Luft behandelt wird – wenn ...
L’intermède de Marcel Broodthaers : pour une critique de l’hybride
L’intermède de Marcel Broodthaers : pour une critique de l’hybride
L’hybride qualifie non seulement des productions artistiques revendiquant l’indéterminé mais il renvoie aussi et surtout aujourd’hui à des formes médiatiques normatives ; celles-ci...
“Vender alguma coisa, dar certo na vida.” A passagem do poema ao objeto na obra de Marcel Broodthaers.
“Vender alguma coisa, dar certo na vida.” A passagem do poema ao objeto na obra de Marcel Broodthaers.
O artigo apresenta uma análise de algumas obras do artista belga Marcel Broodthaers, mais precisamente no modo como ele estabeleceu a relação entre palavra e imagem no contexto de ...
Réécritures dans <i>Un coup de dés jamais n’abolira le hasard</i> de Marcel Broodthaers
Réécritures dans <i>Un coup de dés jamais n’abolira le hasard</i> de Marcel Broodthaers
En 1969, Marcel Broodthaers organise à Anvers l’« Exposition littéraire autour de Mallarmé à la Deblioudebliou » en mettant ensemble toutes ses réécritures du poème Un coup de dés ...

