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Etching, engraving, and other intaglio printmaking techniques
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American Printmakers, 1946-1996
American Printmakers, 1946-1996
The period of post-World War II American printmaking is unique in the history of printmaking, as the volume and variety of prints proliferated and printmakers experimented with mod...
Practical Printmaking
Practical Printmaking
This book presents an overview of the core printmaking areas: intaglio, lithography, collagraph, monoprinting, relief printing and screenprinting. There are also sections on Health...
Intaglio Printmaking
Intaglio Printmaking
Intaglio is the general name used to describe all printmaking processes where the artist incises or engraves the surface of a plate either directly with tools or indirectly with ch...
Installations and Experimental Printmaking
Installations and Experimental Printmaking
Practical examples and inspiration to explore the experimental aspects of printmaking.
Alexia Tala explores and investigates the new experimental forms of printmaking, wh...
Critical Mass
Critical Mass
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Printmaking at the Edge
Printmaking at the Edge explores the innovative techniques printmakers are using today. The topics covered range from the challenges of new technology and materials (for example, t...
The Story of the Fallen Cone
The Story of the Fallen Cone
The output is a collection of eight prints (each 20 x 30cm), which is the outcome of practice-based research into printmaking processes – particularly etching – and expanding the p...
Etching and Photopolymer Intaglio Techniques
Etching and Photopolymer Intaglio Techniques
This handbook covers all etching techniques and the developments in photopolymer technology. Photopolymers are plastics which are light sensitive and used in printmaking in the for...


