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Creating Space
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Charles’s Ives’s collages, such as “Putnam’s Camp,”The Fourth of July, and selected movements of theFourth Symphony, present listeners with extraordinarily complex sound environments. This article uses Albert Bregman’sAuditory Scene Analysisas a source for methodology to analyze how listeners may parse and organize the chaotic surface of a musical collage. Since scene analysis problems in Ives’s collages often mimic real-world environments, Ives creates music that seems “spatial” or “pictorial” as a result. Finally, the article compares and contrasts the perception of space in Ives’s musical collages with their historical parallel in visual art, Cubist collage.
Title: Creating Space
Description:
Charles’s Ives’s collages, such as “Putnam’s Camp,”The Fourth of July, and selected movements of theFourth Symphony, present listeners with extraordinarily complex sound environments.
This article uses Albert Bregman’sAuditory Scene Analysisas a source for methodology to analyze how listeners may parse and organize the chaotic surface of a musical collage.
Since scene analysis problems in Ives’s collages often mimic real-world environments, Ives creates music that seems “spatial” or “pictorial” as a result.
Finally, the article compares and contrasts the perception of space in Ives’s musical collages with their historical parallel in visual art, Cubist collage.
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