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skulptur, figur, sculpture
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God image. Temple figure (arca lingga or pratima) of cut and painted wood. The sculpture depicts a standing, male figure. There are remains of staffing in red and gold.
According to the catalog, the sculpture depicts Brahma and is made of tjendana wood.
Tjendana scrives cendana in modern Indonesian spelling and means sandalwood.
“Brahma: God of fire in Bali is” with the un“'to the sea’, kelod, and with the”in the nine-division of the cosmos, nawa-sanga..." (Hobart, A. 187. p.47)
Arca lingga, or pratima, serves as a temporary home for the gods (palinggihan) during the feast of the temple. Faced with the feast of the temple, the figures are plucked out of a godlike (gedong), dressed, decorated with flowers and perfumed. The figures are ritually animated, purified annually by procession to the sea or a sacred source. The figures are placed in a pavilion (balé paruman, pangaruman or pasamuan) in the middle of the innermost temple courtyard. (Ramseyer, Urs. 1977)
(NS)
Title: skulptur, figur, sculpture
Description:
God image.
Temple figure (arca lingga or pratima) of cut and painted wood.
The sculpture depicts a standing, male figure.
There are remains of staffing in red and gold.
According to the catalog, the sculpture depicts Brahma and is made of tjendana wood.
Tjendana scrives cendana in modern Indonesian spelling and means sandalwood.
“Brahma: God of fire in Bali is” with the un“'to the sea’, kelod, and with the”in the nine-division of the cosmos, nawa-sanga.
" (Hobart, A.
187.
p.
47)
Arca lingga, or pratima, serves as a temporary home for the gods (palinggihan) during the feast of the temple.
Faced with the feast of the temple, the figures are plucked out of a godlike (gedong), dressed, decorated with flowers and perfumed.
The figures are ritually animated, purified annually by procession to the sea or a sacred source.
The figures are placed in a pavilion (balé paruman, pangaruman or pasamuan) in the middle of the innermost temple courtyard.
(Ramseyer, Urs.
1977)
(NS).
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