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Theatrical Reflections of the Slovak Republic (1939 – 1945) in the 21st Century
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Abstract
The study deals with forms of the Slovak Republic (1939 – 1945) in Slovak theatre after the year 2000. We currently observe a strong dramaturgical tendency to bring to the stages the reflection of historical events from various historical periods, one of the most depicted being the period of World War II. Its thematics are found in the productions of the original theatrical plays as well as in the dramatisations of literary works. The first part of the study is devoted to delineation of the Slovak Republic (1939 – 1945) in the productions after 2000 (Tiso [Tiso], Stalo sa prvého septembra [It Happened on 1st September], Rabínka [The Female Rabbi], Holokaust [Holocaust], Povstanie [Uprising], Obchod na korze [The Shop on the Parade], Polnočná omša [Midnight Mass], Tichý bič [The Silent Whip], Kým kohút nezaspieva [Until the Cock Sings]). The second part is focused on the analysis of the selected thematic elements offered by the productions falling within this circle and which appear in the new optics of the so-called second generation.
Central Library of the Slovak Academy of Sciences
Title: Theatrical Reflections of the Slovak Republic (1939 – 1945) in the 21st Century
Description:
Abstract
The study deals with forms of the Slovak Republic (1939 – 1945) in Slovak theatre after the year 2000.
We currently observe a strong dramaturgical tendency to bring to the stages the reflection of historical events from various historical periods, one of the most depicted being the period of World War II.
Its thematics are found in the productions of the original theatrical plays as well as in the dramatisations of literary works.
The first part of the study is devoted to delineation of the Slovak Republic (1939 – 1945) in the productions after 2000 (Tiso [Tiso], Stalo sa prvého septembra [It Happened on 1st September], Rabínka [The Female Rabbi], Holokaust [Holocaust], Povstanie [Uprising], Obchod na korze [The Shop on the Parade], Polnočná omša [Midnight Mass], Tichý bič [The Silent Whip], Kým kohút nezaspieva [Until the Cock Sings]).
The second part is focused on the analysis of the selected thematic elements offered by the productions falling within this circle and which appear in the new optics of the so-called second generation.
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