The creative touches of the chisel

In this chapter, the global creative economy discursive regime is shown to be a spatially-differentiated and power-laden practice. Analyzing the ways in which heritage, creative ec...

Romanticized notions of how one becomes an “artist” have long been questioned, so why do we still fetishize them in popular culture, turning a blind eye to the politics of exclusio...

This chapter asks whether another creative economy is possible—one that negotiates and goes beyond the terms of hegemonic neoliberal and Hindu constructions of creative economy. It...

Illustration is a diverse and constantly evolving area of art and design and an appealing creative career. But to stand out from the crowd, successful illustrators need to combine ...

Stories about abortion provide a rich ground for looking at the relationship between narrative, experience, and meaning because in many ways abortion has come to be a defining issu...

There are not many books by Agamben in which Plato does not figure. In The Man Without Content (MC 52–64), Agamben discusses the Platonic discrepancy between politics and poetry; i...

In Victorian England, women's accessories were always much more than incidental finishing touches to their elaborate dress. Accessories helped women to fashion their identities. Vi...