Search engine for discovering works of Art, research articles, and books related to Art and Culture
Javascript must be enabled to continue!
Inkstand with A Madman Distilling His Brains
View through The Met
Maiolica (tin-glazed earthenware)
European Sculpture and Decorative Arts, Metropolitan Museum of Art New York NY, Rogers Fund 1904
Title: Inkstand with A Madman Distilling His Brains
Description:
Maiolica (tin-glazed earthenware).
Related Results
painting (watercolour): ["David Love"]
painting (watercolour): ["David Love"]
Portrait of a man in a black top hat. He also wears a brown jacket and a black waistcoat. He is holding papers in both hands. Stamp at bottom left of page reads 'Bristol Paper' aro...
Inkstand with the coats of arms of Leiden, Delft and William III
Inkstand with the coats of arms of Leiden, Delft and William III
This inkstand was made for the Orangist Jan Knotter, a bargeman who was granted the right to navigate between Leiden and Delft in 1675. The arms of Leiden and Delft held up by lion...
Early Victorian Boulle-work and ebony inkstand after George Bullock, Early Victorian Boulle-work and ebony inkstand after George Bullock (ca. 1840)
Early Victorian Boulle-work and ebony inkstand after George Bullock, Early Victorian Boulle-work and ebony inkstand after George Bullock (ca. 1840)
Boulle-work and ebony, 14 1/2 in diameter...
Study of a man with an assemblage of scientific equipment; the man sits on the right of the image, his right hand on a microscope, his left foot on a footstool. He has sideburns, visible under his fez hat (cylindrical, with a tassel). He wears a dark jack
Study of a man with an assemblage of scientific equipment; the man sits on the right of the image, his right hand on a microscope, his left foot on a footstool. He has sideburns, visible under his fez hat (cylindrical, with a tassel). He wears a dark jack
Study of a man with an assemblage of scientific equipment; the man sits on the right of the image, his right hand on a microscope, his left foot on a footstool. He has sideburns, v...
Personifications of medicine, pharmacy and surgery. Oil painting after (?) Nicolas de Larmessin II (1638-1694).
Personifications of medicine, pharmacy and surgery. Oil painting after (?) Nicolas de Larmessin II (1638-1694).
Lettering: Inscriptions on the surgical equipment which forms the costume of the surgeon are as follows. On the instrument on his head: Eleuatoire po' la Teste. On his right arm: B...
Personifications of medicine, pharmacy and surgery. Oil painting after (?) Nicolas de Larmessin II (1638-1694).
Personifications of medicine, pharmacy and surgery. Oil painting after (?) Nicolas de Larmessin II (1638-1694).
Lettering: Inscriptions on the surgical equipment which forms the costume of the surgeon are as follows. On the instrument on his head: Eleuatoire po' la Teste. On his right arm: B...
Personifications of medicine, pharmacy and surgery. Oil painting after (?) Nicolas de Larmessin II (1638-1694).
Personifications of medicine, pharmacy and surgery. Oil painting after (?) Nicolas de Larmessin II (1638-1694).
Lettering: Inscriptions on the surgical equipment which forms the costume of the surgeon are as follows. On the instrument on his head: Eleuatoire po' la Teste. On his right arm: B...
Personifications of medicine, pharmacy and surgery. Oil painting after (?) Nicolas de Larmessin II (1638-1694).
Personifications of medicine, pharmacy and surgery. Oil painting after (?) Nicolas de Larmessin II (1638-1694).
Lettering: Inscriptions on the surgical equipment which forms the costume of the surgeon are as follows. On the instrument on his head: Eleuatoire po' la Teste. On his right arm: B...