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Evening dress
View through The Met
silk, French
Costume Institute, Metropolitan Museum of Art New York NY, Purchase Irene Lewisohn Bequest 2004
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Dress, girl's, cream with heart-shaped motif by Pierre Cardin for Neiman Marcus, made in France, 1960s. Dress for a child around four years old. The dress is made of a thick cream material. Its shape is sleeveless and a-line shape with a pointed hem that
Dress, girl's, cream with heart-shaped motif by Pierre Cardin for Neiman Marcus, made in France, 1960s. Dress for a child around four years old. The dress is made of a thick cream material. Its shape is sleeveless and a-line shape with a pointed hem that
Dress, girl's, cream with heart-shaped motif by Pierre Cardin for Neiman Marcus, made in France, 1960s. Dress for a child around four years old. The dress is made of a thick cream ...
Ensemble of dress, knickerbockers, belt and hat, designed by Mary Quant, London, 1958. Knickerbockers, part of an ensemble with grey flannel dress and hat. The knickerbockers are knee length with a flat pleated frill and white metal button at the knee. Th
Ensemble of dress, knickerbockers, belt and hat, designed by Mary Quant, London, 1958. Knickerbockers, part of an ensemble with grey flannel dress and hat. The knickerbockers are knee length with a flat pleated frill and white metal button at the knee. Th
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A-line shift dress, size 2, made by Angela's PENNY FARTHINGS, UK, ca. 1965. A-line dress of a black stretchy synthetic fabric. The dress has a high round neck line and long sleeves. The dress finishes at around knee height. There is decorative applied go
A-line shift dress, size 2, made by Angela's PENNY FARTHINGS, UK, ca. 1965. A-line dress of a black stretchy synthetic fabric. The dress has a high round neck line and long sleeves. The dress finishes at around knee height. There is decorative applied go
A-line shift dress, size 2, made by Angela's PENNY FARTHINGS, UK, ca. 1965. A-line dress of a black stretchy synthetic fabric. The dress has a high round neck line and long sleeves...
Woman's aesthetic or reform dress and bodice in wool with a ribbed weave, Great Britain, 1892-1895. Woman's aesthetic or reform dress and bodice in brown wool with a heavily ribbed weave. The body of the dress is cut in the Princess manner with long shape
Woman's aesthetic or reform dress and bodice in wool with a ribbed weave, Great Britain, 1892-1895. Woman's aesthetic or reform dress and bodice in brown wool with a heavily ribbed weave. The body of the dress is cut in the Princess manner with long shape
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Evening dress, knitted foil tape, designed by Craig Lawrence, London, 2011. Evening dress, knitted with gold and silver metallic tape. Full length and with plated straps. The structure is an internal knitted tube with long loose ends projecting from the e
Evening dress, knitted foil tape, designed by Craig Lawrence, London, 2011. Evening dress, knitted with gold and silver metallic tape. Full length and with plated straps. The structure is an internal knitted tube with long loose ends projecting from the e
Evening dress, knitted foil tape, designed by Craig Lawrence, London, 2011. Evening dress, knitted with gold and silver metallic tape. Full length and with plated straps. The struc...
Wedding dress, muslin embroidered with cotton, England, ca. 1807, embroidered in India. Wedding dress of white muslin, embroidered to shape with white cotton. The bodice and sleeves are lined with white linen. Hand-sewn. Full length with the back extendin
Wedding dress, muslin embroidered with cotton, England, ca. 1807, embroidered in India. Wedding dress of white muslin, embroidered to shape with white cotton. The bodice and sleeves are lined with white linen. Hand-sewn. Full length with the back extendin
Wedding dress, muslin embroidered with cotton, England, ca. 1807, embroidered in India. Wedding dress of white muslin, embroidered to shape with white cotton. The bodice and sleeve...
Anaïs Toudouze. Woman's day dress, child's dress and a First Communion dress, all by Mme Leymerie, Paris, with hats by Mme Samson. Hand-coloured engraving from Le Follet. Paris, late 1840s. A woman in a lilac and pink shot-silk dress seated in an armchair
Anaïs Toudouze. Woman's day dress, child's dress and a First Communion dress, all by Mme Leymerie, Paris, with hats by Mme Samson. Hand-coloured engraving from Le Follet. Paris, late 1840s. A woman in a lilac and pink shot-silk dress seated in an armchair
Anaïs Toudouze. Woman's day dress, child's dress and a First Communion dress, all by Mme Leymerie, Paris, with hats by Mme Samson. Hand-coloured engraving from Le Follet. Paris, la...
Anaïs Toudouze. Two women's dresses by Mme Bara Bréjard, Paris, with hairstyles by Hamelin. Hand-coloured engraving from Le Follet. Paris, late 1840s. Two women in an interior in evening dress. On the left, a mantle with fringe and bands of flowered ribbo
Anaïs Toudouze. Two women's dresses by Mme Bara Bréjard, Paris, with hairstyles by Hamelin. Hand-coloured engraving from Le Follet. Paris, late 1840s. Two women in an interior in evening dress. On the left, a mantle with fringe and bands of flowered ribbo
Anaïs Toudouze. Two women's dresses by Mme Bara Bréjard, Paris, with hairstyles by Hamelin. Hand-coloured engraving from Le Follet. Paris, late 1840s. Two women in an interior in e...