Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Apprenticeship and empowerment

View through CrossRef
This chapter considers ways in which pathways to creative performance are supported through one-to-one lessons between a student and a specialist teacher. One-to-one interactions are generally considered central to the development of western classical musicians and traditionally have been conceived in terms of apprenticeship. More recently, however, understanding of the socially constructed nature of learning, including the essential parts played by peer interactions and engagement in communities of practice, has increased. In addition, the importance of collaboration in facilitating and channelling creativity in many fields has become apparent. Taken together, these suggest a need to develop a multifaceted and more nuanced conceptual framework for understanding one-to-one lessons and their relationship to performance. The chapter explores relevant research literature alongside perspectives provided by expert performer–teachers, and it concludes by setting out a provisional model for understanding both the collaborative process between student and teacher in one-to-one lessons and the potential for this context to underpin transformative processes of development for performers.
Title: Apprenticeship and empowerment
Description:
This chapter considers ways in which pathways to creative performance are supported through one-to-one lessons between a student and a specialist teacher.
One-to-one interactions are generally considered central to the development of western classical musicians and traditionally have been conceived in terms of apprenticeship.
More recently, however, understanding of the socially constructed nature of learning, including the essential parts played by peer interactions and engagement in communities of practice, has increased.
In addition, the importance of collaboration in facilitating and channelling creativity in many fields has become apparent.
Taken together, these suggest a need to develop a multifaceted and more nuanced conceptual framework for understanding one-to-one lessons and their relationship to performance.
The chapter explores relevant research literature alongside perspectives provided by expert performer–teachers, and it concludes by setting out a provisional model for understanding both the collaborative process between student and teacher in one-to-one lessons and the potential for this context to underpin transformative processes of development for performers.

Related Results

Funding for Social Science Research: International and Corporate
Funding for Social Science Research: International and Corporate
This chapter focusses on the social science research (SSR) funding from non-governmental sources. It was observed that the International donors and corporate are important and rapi...
Struggling against Jaime Crow
Struggling against Jaime Crow
This chapter looks at how the Americanization agenda of LULAC (League of United Latin American Citizens) worked in tandem with a long-standing tradition of transborder gente decent...
Veil
Veil
Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. The veil can be an instrument of feminist empowerment, and veiled an...
Leading the Way
Leading the Way
There are numerous leadership opportunities and a great need for more effective leadership in the nonprofit sector. While community leadership is one of the 18 community psychology...
Networked Feminisms
Networked Feminisms
The collection of essays outlines how feminists employ a variety of online platforms, practices, and tools to create spaces of solidarity and to articulate a critical politics that...
Beat Happening's Beat Happening
Beat Happening's Beat Happening
This is the album that sent a shockwave of empowerment through the nation’s cultural underground. In 1985, Olympia, Washington band Beat Happening released their eponymous debut of...

Back to Top